Collection PL

About

Modern Japanese paper money sits at the intersection of statecraft, technology, and design. From the Meiji modernization drive to today’s Bank of Japan issues, printing has been anchored by the National Printing Bureau (NPB), whose craft pushed intaglio, guilloche, microtext, latent imagery, and watermarking to world-class standards. Portrait selections (Fukuzawa, Noguchi, Higuchi, Shibusawa) and iconography track policy eras and cultural identity, while substrate and ink innovations reflect an obsession with anti-counterfeit measures and durability.

For researchers and collectors, specimens and printer’s proofs document design intent and production variants that routine circulation obscures. Equally telling are intaglio test notes from equipment makers such as Komori, produced on genuine banknote paper to demonstrate press capability, plate geometry, and line fidelity. These pieces reveal how security features migrate from the test bench into BOJ notes and why Japanese printing is a benchmark for the industry. Use the filters above to drill by type, printer, or era; the selection below is a curated entry point, not a duplicate of card-level descriptions.

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Japan 1989 Komori Currency Technology intaglio test note with portrait of Mr. Komori and intricate floral guilloché, PCGS 65 PPQ Gem New on banknote paper

Japan 1989 — Komori Currency Technology Intaglio Test Note “Mr. Komori”

Large-format intaglio test piece produced by Komori Currency Technology on genuine banknote paper. The face presents a finely engraved portrait of Mr. Komori alongside dense Asiatic floral scrolls and security guilloché intended to demonstrate line fidelity, tonal build, and plate pressure control. ... Read more →

JapanIntaglio Test Note1989Test ProofPCGS 65 PPQ Gem New JapanKomoriKomori Currency TechnologyTest NoteIntaglioPrinter SpecimenTest ProofOversizedND198919801990Security Printing
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Edo-period Japanese 5 Momme Silver hansatsu printed by woodblock on handmade washi paper, showing vertical kanji inscriptions, circular and boxed validation seals, an oil merchant seal, and a reverse design with Daikokuten, rice bale symbolism, and ornamental wave-pattern security carving.

Japan 1800 — Edo Period 5 Momme Silver Hansatsu with Daikokuten Reverse and Oil Merchant Validation Seal, Woodblock Printed on Handmade Washi Paper

This Edo-period hansatsu is a striking survivor from the decentralized monetary world of Tokugawa Japan, when paper currency was not yet a national system but a local instrument of trust, exchange, and authority. Printed by hand-carved woodblock on handmade washi paper, the note belongs to the long, narrow format associated with feudal domain and regional exchange issues. These notes circulated within local commercial systems, where value was understood through seals, inscriptions, redemption practice, and the reputation of the issuing authority rather than through modern banknote conventions. ... Read more →

JapanHansatsu18005 Momme SilverFine to Very Fine estimated JapanJapan 1800Year 1800Edo PeriodLate Edo PeriodTokugawa EraTokugawa ShogunatePre-Meiji JapanHansatsuFeudal Domain NoteDomain-Issued Local NoteRegional Paper MoneyLocal CurrencyFive Momme Silver5 Momme SilverSilver Five MommeGin Go MonmeMomme Weight StandardSilver CurrencyCommodity CurrencyOil Merchant SealOil Commodity SealMerchant ScripRegional Exchange HouseCommodity-Linked CurrencyMerchant ExchangeRice CurrencyEdo Monetary SystemWoodblock Printed NoteHandmade Washi PaperVermilion SealCircular SealBoxed Validation SealCalligraphic Security TextWave Pattern ReverseAnti-Counterfeiting Woodblock DesignDaikokutenDeity of WealthDeity of AbundanceRice Bale MotifMallet of FortuneReligious MotifProsperity SymbolismHistoric CurrencyAsian Paper MoneyEighteenth CenturyNineteenth CenturyPick UnlistedNot Listed in PickRarityMuseum GradeHistory
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