Description and research notes
This engraved Portrait of Woman intaglio vignette was produced by Bradbury, Wilkinson & Co., London, and is directly connected to the City of Melbourne Bank Limited 20 Pounds specimen of 1877, where the same portrait appears as the principal vignette within the large ornamental panel at left. The proof preserves that portrait as a stand-alone engraved component before its integration into the complete banknote design.
The portrait is presented within a narrow oval composition and depicts a young woman in three-quarter view, wearing a decorative head ornament and draped garment, with architectural detail visible in the background. The engraving is built from fine intaglio linework, controlled cross-hatching and carefully graduated tonal transitions, with particular attention given to the face, hair, clothing and background.
The lower margin carries the Bradbury, Wilkinson & Co. London imprint together with the number 40. Preserved independently from borders, denomination devices, issuer lettering and other elements of the completed note, the vignette allows the engraved portrait to be examined as an individual production component.
Bradbury Wilkinson developed banknote compositions from separately prepared engraved elements, including portraits, allegorical figures, heraldic devices, architectural views, counters, borders and ornamental panels. These components could then be combined within complete designs while preserving the precision and tonal control of the original engraving.
In the completed 20 Pounds specimen, the portrait is incorporated into the left-side ornamental panel and surrounded by denomination counters, bank title, serial fields, security patterns and border work. The surviving proof therefore documents the portrait at the component stage, while the specimen records its final use within the finished banknote composition.
As a stand-alone intaglio impression, the vignette preserves the original pictorial element independently from the financial instrument in which it was used and documents Bradbury Wilkinson's portrait engraving and banknote production practice at the component level.








