Collection PL

Luxembourg 1970 — 100 Francs Archival Gridlines Calibration Specimen (Pick 56s, Serial D170001)

Archival calibration specimen of the 1970 one hundred francs issue of the Grand Duchy of Luxembourg, produced during the Belgian Luxembourg Economic Union period and printed by Thomas De La Rue & Company, London. Unlike standard specimen notes bearing placeholder serials, this example carries a live production-format serial number D170001, linking it directly to an active print batch within the manufacturing process. Across the full surface, original blue registration gridlines remain visible. ... Read more →

Luxembourg 20 March 1970 — 100 Francs Face Photographic Proof (Pick Unlisted, Grand Duke Jean)

Face-side photographic proof of the 1970 one hundred francs issue of the Grand Duchy of Luxembourg, produced as part of the final design validation process prior to full printing. This example presents the complete obverse layout in monochrome, mounted on archival cardstock, and retains full design clarity without color application. The note displays serial number A000000 in dual placement, consistent with specimen-format numbering used for internal production and review material. ... Read more →

Luxembourg 24 February 1970 — 100 Francs Back Photographic Proof (Pick Unlisted)

Back-side photographic proof of the 1970 one hundred francs issue of the Grand Duchy of Luxembourg, produced during the final design validation stage prior to full printing. The image is presented in monochrome and mounted on archival cardstock, preserving the complete reverse composition without color separation. A handwritten production annotation dated 24 February 1970 is visible along the lower margin, providing a direct reference to the internal review timeline. ... Read more →

Luxembourg 1970 — 100 Francs Specimen (Pick 56s)

Specimen of the issued 1970 one hundred francs type of the Grand Duchy of Luxembourg, bearing a red SPECIMEN overprint and circular punch hole cancellation across the central signature area. The note carries serial number A000000 in dual placement, consistent with specimen-format control numbering used for internal distribution and archival reference. The punch hole cancellation serves as the primary method of invalidation, physically rendering the note non-circulating while preserving the full design. ... Read more →

Luxembourg 1970 — 100 Francs Color Trial Specimen (Pick 56cts)

Color trial specimen of the 1970 one hundred francs issue of the Grand Duchy of Luxembourg, produced during the development phase of the Grand Duke Jean series. This example is executed in an alternative blue-toned palette rather than the green coloration adopted for circulation, representing a controlled press trial used to evaluate tonal hierarchy, engraving clarity, and denomination contrast. The note carries serial number A000000 33, applied within the standard specimen numbering format. ... Read more →

Luxembourg 1970 — 100 Francs Issued Note (Pick 56a)

Issued 1970 one hundred francs note of the Grand Duchy of Luxembourg, representing the finalized and circulating form of the Grand Duke Jean series within the Belgian Luxembourg Economic Union framework. This example, serial A143655, reflects the completed execution of a design system that balanced national identity with the technical demands of a shared currency environment. The note embodies the mature stage of late twentieth-century European banknote production. ... Read more →

Luxembourg Undated — 100 Francs Back Photographic Proof, Composition Study (Pick Unlisted)

Back-side photographic proof for the one hundred francs design of the Grand Duchy of Luxembourg, preserved as an archival working piece mounted on cardstock. This example represents an early composition study within the development of the Grand Duke Jean series, prior to final engraving and production alignment. The central vignette depicts the same bridge motif later used in the issued design, but rendered from a more distant viewpoint and within a broader spatial framework. ... Read more →

Banque Internationale à Luxembourg 1951 — 100 Francs Multi-Stage Photographic Proof Assembly (Pick Unlisted)

This photographic proof assembly of the one hundred francs note of Banque Internationale à Luxembourg S.A. represents a rare and highly informative record of sequential banknote design development. Rather than a single uniform proof, the mounted composition combines multiple design states within one archival piece, documenting the progression from early layout study to near-final engraved configuration several years prior to the issued 1956 note. ... Read more →

Banque Internationale à Luxembourg 1956 — 100 Francs Photographic Proof Face (Pick Unlisted)

Photographic proof of the face of the one hundred francs note of Banque Internationale à Luxembourg S.A., representing the finalized obverse design stage prior to full production printing. Executed in monochrome, this proof preserves the complete engraved face layout with all principal visual and administrative elements already in place. The composition centers on a classical female allegorical portrait enclosed within a laurel-framed oval, surrounded by finely engraved guilloche structures and flanked by symbolic figures representing labor, production, and national economic strength. ... Read more →

Banque Internationale à Luxembourg 1956 — 100 Francs Back Photographic Proof (Pick Unlisted)

Photographic proof of the reverse of the one hundred francs note of Banque Internationale à Luxembourg S.A., representing the finalized back design stage prior to full circulation printing. Produced in monochrome, this proof preserves the reverse layout in a production-ready state, including both compositional structure and serial placement logic. The reverse is dominated by a structured industrial tableau featuring workers, machinery, and architectural elements arranged in a balanced engraved composition. ... Read more →

Banque Internationale à Luxembourg 1956 — 100 Francs Issued Note (Pick 13a)

Issued one hundred francs note of Banque Internationale à Luxembourg S.A., dated 1956 and cataloged as Pick 13a. This note represents the final realized form of the series, following a clearly traceable development sequence documented by the 1951 multi-stage design proofs and the later 1956 photographic proof material. The obverse presents a fully resolved engraved composition centered on a classical female allegorical portrait enclosed within a laurel-framed oval. ... Read more →