Collection PL

United States 1935D - 1 Dollar Silver Certificate Radar Serial Number Y88866888E (Friedberg 1613N, YE Block)

This 1935D 1 Dollar Silver Certificate (Friedberg 1613N, YE Block) combines classic blue-seal artistry with one of the most coveted numerical patterns in modern U.S. small-size currency - a Radar Serial Number. The serial Y88866888E reads the same forward and backward, forming a perfect numerical palindrome that collectors universally prize for its rarity and visual symmetry. Read more →

United States 1935D - 1 Dollar Silver Certificate Butterfly Fold Error (Friedberg 1613W, IF Block)

The 1935D Silver Certificate series, signed by Clark and Snyder, represents the final era of small-size silver-backed notes issued by the U.S. Treasury. The 'Wide' layout (Friedberg 1613W) references a plate format with slightly larger margin spacing, predating the narrower 1613N variant. These late silver certificates were printed in huge quantities, but genuine mechanical errors from this period-especially butterfly folds-remain extremely scarce, as most were destroyed long before reaching circulation. Read more →

United States 1974 - 1 Dollar Federal Reserve Note, Chicago District Paper Jam Error (Friedberg 1908-G, GD Block)

The Bureau of Engraving and Printing’s multi-stage process involves extremely fine tolerances, with paper sheets passing at high speed through multiple presses-first for back printing, then face, and finally for seals and serials. If a small moisture change or static buildup causes the paper to slip, jam, or bunch up, a localized buckle can form. When such an obstruction passes through the press, it distorts the ink transfer in that area. Once the paper tension resumes, the resulting note bears visible folds, wrinkles, or tears along one margin. In this specimen, the lower right corner exhibits the crumpled and misfed edge typical of a partial jam, accompanied by sharp ink displacement along the lower border. Read more →

United States 1935F - 1 Dollar Silver Certificate Courtesy Autograph by Treasurer Ivy Baker Priest (Friedberg 1615, UI Block)

The 1935F Silver Certificate belongs to the final generation of small-size blue-seal notes redeemable in silver. It carries the engraved signatures of Ivy Baker Priest and Robert B. Anderson and represents the last design type before the conversion to 'In God We Trust' reverse inscriptions and subsequent Legal Tender formats. The blue Treasury seal and serials signify its silver-backed legal status, now a hallmark of mid-20th-century U.S. currency. Read more →

Japan 1800 - Edo Period 5 Momme Silver Hansatsu with Daikokuten Reverse and Oil Merchant Validation Seal Woodblock Printed on Handmade Washi Paper

One of the most important details is the boxed validation seal associated with oil. This pushes the note beyond the category of a generic feudal paper issue and gives it a clear commercial character. Oil was an essential commodity in Edo-period Japan, used for lighting, cooking, and daily urban life. Merchant-backed or commodity-linked scrip connected to oil, rice, sake, silver, and other practical goods formed part of the regional monetary landscape. This piece therefore stands at the meeting point of silver accounting, merchant exchange, domain-era paper currency, and everyday commodity trade. Read more →

United States 1929 - 5 Dollars Type 2 National Bank Note - The First National Bank of Philadelphia, Pennsylvania Charter 1 (Fr. 1800-2)

Charter 1 defined the origin of federally chartered banking in the United States, anchoring Philadelphia’s financial network through multiple eras: Civil War greenbacks, Gilded Age expansion, and the economic transitions of the early twentieth century. Its officers, including C. H. Chaffee as cashier and Livingston E. Jones as president on this series, carried the institution’s legacy into the small-size note period. Read more →

Australia 1965 - Commercial Banking Company of Sydney Limited 10 Dollars Travellers Cheque Approved Design Proof (Pick Unlisted)

Approved design proof for the 10 Dollars traveller's cheque prepared by Bradbury Wilkinson and Company, London, for The Commercial Banking Company of Sydney Limited. Dated 15 June 1965 and annotated "As Submitted - Approved," this proof represents the accepted design direction for the bank's decimal-era traveller's cheque programme. Its light green colour, carefully balanced security background, centred Australia map vignette, and restrained corporate typography show the refined form reached during the June 1965 approval stage. Read more →

Australia 1965 - Commercial Banking Company of Sydney Limited 50 Dollars Travellers Cheque Rejected Design Proof (Pick Unlisted)

The 50 Dollars design is the most imposing of the three known denomination specimens. Its rose and pink tonal structure gives the sheet a strong high-value identity, while the darker engraved border, corner denomination tablets, and layered security background create the visual weight expected of a top denomination. The central Australia map motif, circular "C.B.C." medallion, and large scripted amount line connect it directly to the broader series, but the 50 Dollars proof carries a richer and more formal presence than the lower values. The result is a highly finished presentation-stage security design, combining corporate cheque clarity with Bradbury Wilkinson and Company's late intaglio craftsmanship. Read more →

Australia 1961 - Bank of New South Wales Sterling Travellers Cheques, Complete Printer’s Proof Set £2-£50 (Pick Unlisted)

Each sheet displays the finished engraved face design adopted by the Bank of New South Wales for its early-1960s traveller’s cheque issue. The layouts feature multitone intaglio guilloche backgrounds, denomination tablets at the corners, a central payable text panel, and the London address of the issuing bank at 29 Threadneedle Street. All five sheets are printed on high rag-content proof paper, showing clear plate bite and fibre structure under angled light. Read more →

Egypt 1914–1915 - Egyptian Red Crescent Society (Khedivial Era Membership Receipts, Two-Document Set)

Founded in 1911, the Egyptian Red Crescent Society was one of the earliest national branches of the Red Crescent movement and emerged during a period of rising public-health awareness, military tension, and modernization in Egypt. Operating under the patronage of the Khedivial family, the Society coordinated medical relief, hospital funding, nursing programs, and wartime humanitarian aid long before the establishment of Egypt’s later national health institutions. Its early documents reflect a pre-war administrative structure that balanced Ottoman-era civil formats, European humanitarian standards, and domestic Arabic-language operational practice. Receipts, membership certificates, and donation records formed the financial and organizational backbone of the fledgling Society and were rarely preserved outside its offices. Read more →

Egypt 1911 - The Odeon Hall, Cairo Gold Watch Repair Invoice

Egypt was among the earliest adopters of recorded sound in the region, with Cairo serving as a distribution center for imported phonographs and Columbia and Odeon discs. At the same time, high-skill watch repair remained central to urban life, with shops like Odeon Hall acting as trusted service providers for residents of different social and economic backgrounds. Invoices and commercial papers from these establishments capture the multilingual, multiethnic fabric of Khedivial Cairo’s retail economy. Read more →

Egypt 1912 - Compagnie des Bateaux Omnibus (Nile Steamer Illustrated Letterhead)

Original 17 October 1912 illustrated letterhead of the Compagnie des Bateaux Omnibus, printed on pale beige laid paper with a finely executed lithographed masthead. At the upper left is a detailed vignette showing a Nile side-wheeler steamer underway, flying the red company pennant marked C.B.O. The steamer is depicted passing a palm-lined bank with mooring post and faint pyramidal silhouettes in the background, capturing one of the most iconic motifs of early twentieth-century Egyptian river transport. The vignette is balanced by a stylized palm-tree cluster rising behind the vessel, printed in a soft blue-brown duotone typical of A. Mourès & Cie lithography. Read more →