Collection PL

About 1994.pl
Results for “british engraving influence”
Australia 1880–1910 Commercial Bank of Australia £100 specimen, PMG 64 Choice Uncirculated

Australia 1880–1910 - Commercial Bank of Australia £100 Specimen (Pick Unlisted)

Engraved by Bradbury, Wilkinson & Co. in London and printed locally by Sands & McDougall in Melbourne, the note embodies the cooperative evolution of Australian banknote production. Bradbury, Wilkinson supplied the master plates, security devices, and engraving framework, while Sands & McDougall executed local printing to supply the bank's circulation demands across Victoria and the wider Australian colonies. The imprint 'Bradbury, Wilkinson & Co., Engravers, London' confirms its master-plate origin, while the local printer’s marks establish the dual-track production typical of the late colonial banking era. Read more →

AustraliaSpecimen1880100 PoundsPMG 64 Choice Uncirculated Specimen100 PoundsHigh DenominationCommercial Bank of AustraliaBradbury WilkinsonBWCSands & McDougallColonial SpecimenBilingualChinese-EnglishPick UnlistedColonial Banking HistoryAustralian Private BanknotesPre-Notes Act Era19th Century BankingMulticultural Trade NetworksSecurity Printing HistoryBritish Engraving InfluenceAustralian Monetary HistoryAustralia188019101880–1910PMG 64Museum GradeR9 Extremely RareUniqueAnnotationsHandwritten Annotations
Held
Ask PMG Census
Commercial Banking Company of Sydney LIMITED £5 proof, circa 1905–1910, PMG 63 EPQ

Australia 1905–1910 - Commercial Banking Company of Sydney LIMITED £5 Specimen Proof (Pick Unlisted)

The note’s design captures the late-Edwardian peak of Bradbury, Wilkinson craftsmanship: elaborate guilloché, multicolour underprint, and symbolic vignettes including a cherub with a ram’s head representing commerce and abundance. Its heavy perforations and broad margins identify it as a proof rather than a circulation specimen, created to demonstrate design and engraving quality before full production. Read more →

AustraliaSpecimen Proof19055 PoundsPMG 63 EPQ (Top Pop) Specimen5 PoundsSpecimen ProofProofPick UnlistedCommercial Banking Company of Sydney LimitedBradbury WilkinsonBWCLarge SizePre-FederationColonial SpecimenEngraved Security PrintingAustralian Private BanknotesSydney Banking HistorySecurity Printing HistoryEdwardian DesignBritish Engraving InfluenceTransition to Commonwealth CurrencyEarly 20th Century BankingAustralian Monetary HistoryAustraliaSydney190519101905–1910PMG 63 EPQTop PopMuseum GradeR8 Extremely Rare
Held
Ask PMG Census

Explore the collection

Italy 1869 Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire specimen serial number 0001 printed by Bradbury Wilkinson and Company PMG 63 Top Pop

Italy 1869 - Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire Specimen (Pick Unlisted)

The design reflects the highest level of nineteenth century security engraving, with dense guilloche frameworks, a central portrait medallion, and a refined blue underprint panel integrated into the main composition. Bradbury Wilkinson’s involvement places this piece within the early expansion of British security printing influence into continental European financial systems, particularly in transitional economies seeking both credibility and technical sophistication.

Guilloche Engraving
New Zealand 1895–1915 Bank of New Zealand 5 Pounds Orange Specimen Pick S192s with dual serial numbers A000001 and A020000, perforated CANCELLED marking, left audit margin, and dated top margin printer annotations, printed by Bradbury Wilkinson & Company, Limited, London, PMG 55 About Uncirculated.

New Zealand 1895–1915 - Bank of New Zealand £5 Orange Specimen (Pick S192s)

The high-denomination anchor of the Bank of New Zealand color series, this five pounds orange specimen (Pick S192s) represents one of the most structurally complex and production-informative notes of New Zealand’s private banking era. Printed by Bradbury, Wilkinson & Company, Limited, London, it embodies the transition from richly ornamental Victorian engraving toward the more controlled and symmetrical Edwardian framework that followed. The composition preserves the defining elements of the earlier series-paired Māori figures within oval medallions at left, a lower maritime vignette reflecting colonial trade identity, and a dense guilloche lattice enclosing the denomination-while introducing a more disciplined spatial hierarchy across the central obligation panel.

British Colonial Finance
↑ Top