The signature configuration corresponds to the Signature B system, with signatures of Corneille Brück (left) and Pierre Werner (right), later cataloged as Pick 55b.
The Signature B configuration consists of Corneille Brück at left, representing the issuing authority, paired with Pierre Werner at right, serving as Ministre d'État. This combination defines the Pick 55b subtype and distinguishes it from the earlier Signature A pairing of Marcel Schmit and Pierre Werner.
Engraved by Bradbury, Wilkinson & Co. in London and printed locally by Sands & McDougall in Melbourne, the note embodies the cooperative evolution of Australian banknote production. Bradbury, Wilkinson supplied the master plates, security devices, and engraving framework, while Sands & McDougall executed local printing to supply the bank's circulation demands across Victoria and the wider Australian colonies. The imprint 'Bradbury, Wilkinson & Co., Engravers, London' confirms its master-plate origin, while the local printer’s marks establish the dual-track production typical of the late colonial banking era.
The £20 denomination occupied the highest settlement tier within the BNZ system and was deliberately executed in a blue–slate color family reserved for upper-level clearing and interbank instruments. This chromatic choice followed Bradbury Wilkinson’s established BNZ color logic, progressing from £1 Green through £5 Red and £10 Brown to the subdued blue tones of the £20, visually signaling professional handling and high-value usage.