Collection PL

Uruguay 1867 — Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado Issued Note, Handwritten Right-Side Signature, Serial 55818 (Pick S385a)

Issued banknote of the Banco Oriental of Uruguay, dated 1 de Agosto de 1867 and printed by the American Bank Note Company in New York. This issue represents the foundational appearance of the Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado denomination and establishes the complete visual, symbolic, and technical template later reused for subsequent reauthorizations in the early 1870s. The obverse design follows the classic American Bank Note Company international style of the mid-nineteenth century. ... Read more →

Uruguay 1867 — Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado Issued Note, Dual Handwritten Signatures at Left and Right, Serial 23286 (Pick S385a)

Issued banknote of the Banco Oriental of Uruguay, dated 1 de Agosto de 1867 and printed by the American Bank Note Company in New York. Although produced from the same engraved plates as the standard single-signature issue, this example documents a brief and highly unusual authorization phase in which two handwritten circulation signatures were applied to a single note. The obverse design is identical to the standard 1867 Banco Oriental issue, featuring allegorical female figures representing Commerce and Abundance at left, the national coat of arms at right, and a prominent central orange guilloche bearing the inscription “UN DOBLÓN DE ORO SELLADO.” This inscription emphasized gold convertibility and was central to public confidence in privately issued paper money during Uruguay’s mid-nineteenth-century monetary development. ... Read more →

Uruguay 1867 — Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado Issued Note, Centered Handwritten Signature, Serial 35345 (Pick S385a)

Issued banknote of the Banco Oriental of Uruguay, dated 1 de Agosto de 1867 and printed by the American Bank Note Company in New York. Produced from the same engraved plates as the standard single-signature issue, this example documents a transitional authorization state following the brief dual-signature requirement implemented during the initial circulation period. The obverse design remains unchanged from the core 1867 issue, featuring allegorical female figures representing Commerce and Abundance at left, the national coat of arms at right, and a prominent central orange guilloche bearing the inscription “UN DOBLÓN DE ORO SELLADO.” The design emphasizes gold convertibility and reflects American Bank Note Company engraving standards developed for Latin American monetary contracts of the mid-nineteenth century. ... Read more →

Uruguay 1867 — Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado Issued Note, Facsimile Signature at Right, Serial 74487 (Pick S385a)

Issued banknote of the Banco Oriental of Uruguay, dated 1 de Agosto de 1867 and printed by the American Bank Note Company in New York. This example represents the final standardized production state of the Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado issue, marking the full transition from manual authorization to mechanically reproduced signatures. The obverse design remains consistent with all 1867 Banco Oriental Doblón notes, featuring allegorical female figures representing Commerce and Abundance at left, the national coat of arms at right, and a prominent central orange guilloche bearing the inscription “UN DOBLÓN DE ORO SELLADO.” This visual continuity underscores the reuse of the original engraved plates throughout all authorization phases of the issue. ... Read more →

United States 1948 — Republican National Convention Ticket Philadelphia, E.A. Wright Bank Note Co.

Engraved admission ticket for the 1948 Republican National Convention, held June 21–25 at Philadelphia’s Convention Hall. Produced by the E.A. Wright Bank Note Company, a leading Philadelphia security printer, this ticket fuses political spectacle with the visual language of currency. ... Read more →

Uruguay 1870 — Republica Oriental del Uruguay 1 Peso, Junta de Credito Publico (Signed Ruy / West, Serial 017385)

Earliest emission of the Junta de Credito Publico, dated 4 de Mayo de 1870, representing Uruguay’s first nationally guaranteed paper currency after the financial reform law of the same date. Printed locally in Montevideo by Litografía G. Mas & Cía., the note carries the denomination of 1 Peso, its face tinted green and engraved in fine local intaglio style. ... Read more →

United States 1929 Type 2 - 10 Dollars National Bank Note - The First National Bank of Easthampton, Massachusetts Charter 428 (Fr. 1801-2)

The First National Bank of Easthampton, Massachusetts, Charter 428, was organized on May 17, 1864, during the first wave of the National Banking era. Originally titled The First National Bank of East Hampton, it shortened its name to Easthampton in 1903 as the town itself adopted the single-word spelling. The institution served a growing industrial community along the Manhan River, best known for its textile and elastic mills financed by local manufacturer and bank founder Samuel Williston. ... Read more →

United States 1929 - Uncut Pair of $5 Type 2 National Bank Notes with 1944 Bank Letter – The Thomas County National Bank of Colby, Kansas Charter 13076 W.D. Ferguson Provenance (Friedberg 1800-1)

Uncut consecutive pair of Series of 1929 Type 2 five-dollar National Bank Notes from The Thomas County National Bank of Colby, Kansas (Charter 13076), accompanied by the original 1944 letter of transmittal from the bank’s president, W. D. Ferguson. ... Read more →

United States 1929 - 5 Dollars Type 1 National Bank Note - The Thomas County National Bank of Colby, Kansas Charter 13076 (Friedberg 1800-1)

Circulated five-dollar note from The Thomas County National Bank of Colby, Kansas (Charter 13076), Series of 1929 Type 1. This example represents the true working currency of the Great Plains during the Depression years—money that passed through farms, shops, and local hands in northwest Kansas at a time when the nation’s economy was in flux. The note follows the standard small-size Type 1 national design with Abraham Lincoln’s engraved portrait at center, flanked by bold denomination counters and the brown Treasury seal at right. ... Read more →

Australia 1965 — Commercial Banking Company of Sydney Limited $10 Travellers Cheque Approved Design Proof (Pick Unlisted)

Approved design proof for the 10 Dollars traveller’s cheque prepared by Bradbury Wilkinson & Co., London, for The Commercial Banking Company of Sydney Limited. Dated 1965 and annotated “As Submitted – Approved,” this is the final approved version that advanced to production, forming the reference model for the bank’s post-decimal traveller’s cheque issue. The engraving combines subtle multi-tone guilloche in olive and emerald green with precise microline work and a centred map-and-harbour vignette, emblematic of Sydney’s trade and maritime identity. ... Read more →

Australia 1965 — Commercial Banking Company of Sydney Limited $20 Travellers Cheque Rejected Design Proof (Pick Unlisted)

Rejected design proof for the proposed 20 Dollars traveller’s cheque printed and engraved by Bradbury Wilkinson & Co., London, for The Commercial Banking Company of Sydney Limited. Submitted in 1965 and annotated “Not Approved,” it represents a parallel concept in the three-denomination traveller’s cheque proposal of that year. The composition features elegant guilloche borders in blue-green and lavender hues, overprinted with a large central watermark-style globe bearing the bank’s initials C.B.C. ... Read more →

Australia 1965 — Commercial Banking Company of Sydney Limited $50 Travellers Cheque Rejected Design Proof (Pick Unlisted)

Rejected design proof for the 50 Dollars traveller’s cheque prepared by Bradbury Wilkinson & Co., London, for The Commercial Banking Company of Sydney Limited. Submitted in 1965 as the top denomination in the same three-value series, this pink-rose specimen bears the annotation “Not Approved” and the same submission date as the $20 proof. The engraving is rich and multi-layered, displaying Bradbury Wilkinson’s refined late-intaglio craftsmanship with deep guilloche patterns and broad, formal typography. ... Read more →