Collection PL

About 1994.pl
Results for “final portrait proportions”
Luxembourg 24 November 1965 20 Francs face photographic proof serial A000000 showing finalized layout with correct proportions prior to final signature configuration, mounted on cardstock

Luxembourg 24 November 1965 - 20 Francs Face Photographic Proof Final Layout Stage (Pick Unlisted)

The note carries serial number A000000 in dual placement, consistent with internal photographic proof formatting. The portrait of Grand Duke Jean is rendered in its final proportion and position, matching the geometry later adopted for the issued note. The earlier scaling issues observed in August proofs have been fully resolved, resulting in a balanced relationship between portrait, watermark field, typography, and ornamental framework. Read more →

LuxembourgPhotographic Proof (Face)196520 FrancsPCGS 64 Apparent Choice New (Mounted on Cardstock) Photographic ProofFace Proof20 FrancsA000000Dual Serial FormatMounted on CardstockHandwritten Date 24 November 1965Grand Duke JeanFinal portrait proportionsResolved layoutFinalized typographyBalanced compositionFinal layout stagePre-production validationPre-issuance configurationBanknote design developmentHistoryLuxembourg1965Pick UnlistedPCGS 64Choice NewMuseum Grade
Held
Ask PMG Census
Luxembourg 10 Francs face photographic proof dated July 3 1966 with serial A000000 and handwritten annotation 6-1-67 in lower margin, mounted on cardstock

Luxembourg July 3 1966 - 10 Francs Face Photographic Proof Final Layout Stage (Pick 53)

The note carries serial number A000000 in dual placement, consistent with internal photographic proof conventions. The portrait of Grand Duke Jean is presented in its final proportion and position, fully integrated within the surrounding ornamental framework. The balance between portrait, denomination, and watermark field reflects a completed design system, with no evidence of earlier scaling or spacing adjustments. Read more →

LuxembourgPhotographic Proof (Face)196610 FrancsPCGS 64 Apparent Very Choice New (Mounted on Cardstock) Photographic ProofFace Proof10 FrancsA000000Dual Serial FormatMounted on CardstockHandwritten Annotation 6-1-67Dated July 3 1966Grand Duke JeanFinal portrait proportionsResolved layoutFinalized typographyFinal layout stagePre-production validationPick 53HistoryLuxembourg1966PCGS 64Very Choice NewMuseum GradeAnnotationsHandwritten Annotations
Held
Ask PMG Census
Luxembourg 1971 50 Francs face photographic proof with serial A000000 and handwritten annotation 18 May 1972 in lower margin, Signature A, Pick Unlisted

Luxembourg March 20 1971 - 50 Francs Signature A, Face Photographic Proof (Pick Unlisted)

The note carries serial number A000000 in dual placement, consistent with internal photographic proof conventions. The portrait of Grand Duke Jean is presented within a fully integrated guilloche framework, with denomination and typography positioned in their final configuration. The spatial balance between portrait, ornamental structure, and watermark field reflects a completed layout prepared for production. Read more →

LuxembourgPhotographic Proof (Face)197150 FrancsPCGS 62 Apparent New (Mounted on Cardstock) Photographic ProofFace Proof50 FrancsA000000Dual Serial FormatMounted on CardstockHandwritten Annotation 18 May 1972Dated March 20 1971Grand Duke JeanSignature AFinal portrait proportionsResolved layoutFinalized typographyFinal layout stagePre-production validationBanknote design developmentHistoryLuxembourg1971Pick UnlistedPick 55aPCGS 62NewMuseum GradeAnnotationsHandwritten Annotations
Held
Ask PMG Census

Explore the collection

Luxembourg 29 July 1965 20 Francs face photographic proof serial A000000 showing early abandoned design concept with softer portrait and unrefined layout, mounted on cardstock

Luxembourg 29 July 1965 - 20 Francs Face Photographic Proof Early Design Concept (Pick Unlisted)

This photographic proof predates the adoption of the final obverse design used for the 1970 issue. In subsequent development stages, the portrait would be reworked, proportions corrected, and the ornamental structure tightened to achieve the precise, machine-optimized layout characteristic of the issued note. As such, this example documents a design direction that was ultimately abandoned and replaced.

Early portrait style Pre-final typography
↑ Top