Collection PL

Italy 1871–1872 — Banca Italo-Germanica 250 Lire Specimen (Pick S976s)

An exceptional and academically important survival from the experimental phase of Italy’s early post-unification banking era, this 250 Lire specimen from the short-lived Banca Italo-Germanica, cataloged as Pick S976s, represents one of the rarest and most ambitious private note-issuing projects attempted in Rome during the 1870s. No issued examples of this type are known to exist, and all scholarship indicates that the bank’s banknote program collapsed before any notes entered circulation, leaving only a microscopic number of presentation pulls, proofs, or internal printer’s archive sheets. This PMG 64 Choice Uncirculated example is the sole graded specimen in the PMG census, making it both Top Pop and Only Pop. ... Read more →

New Zealand 1907–1926 — Bank of New Zealand £20 Blue Serial-Prefix Audit Specimen (Pick S194s)

A unique high-denomination Bradbury Wilkinson audit-range specimen and the rarest surviving document from New Zealand’s private-banknote era, the £20 Blue (Pick S194s) represents the apex of BNZ’s color-coded denomination hierarchy. This specimen is not a generic zero-serial example: it carries dual live serials (No. 061001 and No. ... Read more →

Poland 1994 — 50 Złotych Front Proof (Pick 175ap1)

The definitive front proof of the 1994 50 Złotych issue, this sheet represents the final approved obverse design prepared by Thomas De La Rue for Narodowy Bank Polski during Poland’s post-communist monetary reform. Executed as an internal production proof, it preserves the complete engraved obverse exactly as authorized for issue, prior to serial numbering and reverse printing. The design features the portrait of King Kazimierz III Wielki (Casimir the Great), rendered in De La Rue’s modern intaglio style and integrated into a complex guilloche framework reflecting European security-printing standards of the early 1990s. ... Read more →

Poland 1994 — 50 Złotych Remainder (Pick 175ar Miłczak 198a–b)

Remainder of the 50 złotych note issued by Narodowy Bank Polski within the first fully modern banknote series of the Third Republic, dated 25 March 1994. This example represents production-stage material retained outside the finalized circulation workflow and is cataloged as Pick 175ar, corresponding to Miłczak 198a–b. The note preserves the complete printed design prepared by Thomas De La Rue, London, including the portrait of King Kazimierz III Wielki (Casimir the Great), the integrated guilloche structures, and the finalized denomination and emblematic layout of the modernized Polish currency system. ... Read more →

Australia 1877 — Mercantile Bank of Sydney £1 Specimen (Pick Unlisted)

A superb Bradbury, Wilkinson & Co. specimen from the early colonial banking era, this £1 note for the Mercantile Bank of Sydney survives today as the only documented example of its type. Certified PMG 66 EPQ Gem Uncirculated and recorded as Pop 1, it represents a unique surviving specimen of a private Australian bank whose issues rarely appear in any form. ... Read more →

New Zealand 1916–1920 — Bank of New Zealand £5 Red-Rose (Orange Lineage) Specimen with Serial Number Prefix (Pick S227s)

The finest preserved £5 specimen of New Zealand’s wartime private-banknote era and the highest-graded example recorded for Pick S227s. Printed in London by Bradbury, Wilkinson & Co. during the 1916–1920 wartime production cycle, this specimen represents an internal audit and approval piece retained from a numbered print run rather than a zero-serial display copy. ... Read more →

New Zealand 1895–1908 — Bank of New Zealand 10 Pounds Brown Specimen with Serial Number Prefix (Pick S193bs)

A high-denomination specimen from the Bank of New Zealand color lineage, the ten pounds brown (Pick S193bs) represents the serial-prefix approval format bearing dual printed control numbers, 097476 at upper left and 102475 at lower right. These serial-prefix specimens were produced for internal audit, plate approval, and archival reference purposes, distinct from zero-serial specimen impressions. Engraved and printed in London between 1895 and 1908 by Bradbury, Wilkinson & Company, Limited, the note reflects mature late-Victorian engraving practice. ... Read more →

New Zealand 1913 — Bank of New Zealand £5 Orange Multi-Serial Approval Specimen (Pick S192ms)

A numbered approval specimen of the Bank of New Zealand £5 Orange design, printed by Bradbury Wilkinson & Co., London, circa 1913. Though derived from the original 1895 S192 plate, this example bears two distinct serial numbers (286901 and 296900), identifying it as a multi-serial approval specimen drawn from the opening and closing positions of a controlled production range. Such pieces were created for printer audit, plate verification, and contractual record-keeping rather than circulation. ... Read more →

New Zealand 1870–1890 — Bank of New Zealand £1 Green Specimen (Pick S191s)

The first Bank of New Zealand specimen and the foundation of the country’s pre-Reserve Bank note lineage. Engraved and printed by Bradbury, Wilkinson & Company, Limited, London, this one pound green specimen (Pick S191s) established the visual architecture reused throughout all later BNZ issues: paired Māori figures at left, an engraved coastal vignette below, and an ornate duty-tint panel framing the ONE POUND denomination. This design became the structural and visual origin of the Bank of New Zealand color lineage that defined New Zealand’s early commercial-bank currency. ... Read more →

New Zealand 1895–1915 — Bank of New Zealand 5 Pounds Orange Specimen (Pick S192s)

The high-denomination anchor of the Bank of New Zealand color series, this five pounds orange specimen (Pick S192s) represents one of the most structurally complex and production-informative notes of New Zealand’s private banking era. Printed by Bradbury, Wilkinson & Company, Limited, London, it embodies the transition from richly ornamental Victorian engraving toward the more controlled and symmetrical Edwardian framework that followed. The composition preserves the defining elements of the earlier series—paired Māori figures within oval medallions at left, a lower maritime vignette reflecting colonial trade identity, and a dense guilloche lattice enclosing the denomination—while introducing a more disciplined spatial hierarchy across the central obligation panel. ... Read more →

New Zealand ND (1924-1933) - Bank of New South Wales Ten Shillings Proof, Perforated SPECIMEN (Pick S161s)

Printers archival proof for the Bank of New South Wales Ten Shillings, classified in the Standard Catalog and grading records as New Zealand Pick S161s (ND 1924-1933) and produced in London by Charles Skipper and East. This piece was never intended for circulation. It was created as part of the printers internal proofing, approval, and archival process and survives as a workshop original documenting the final approved design for a denomination that ultimately never entered public issue. ... Read more →

New Zealand ND (1924-1933) - Bank of New South Wales Ten Shillings Oversized Proof, Perforated SPECIMEN (Pick S161s)

Printers archival oversized proof for the Bank of New South Wales Ten Shillings, classified in the Standard Catalog and grading records as New Zealand Pick S161s (ND 1924-1933) and produced in London by Charles Skipper and East. This example survives on an oversized, untrimmed sheet and represents the most internal and earliest preserved production state of the design. Although cataloged under New Zealand, the design belongs to the broader Australasian operating structure of the Bank of New South Wales, a trans Tasman institution active in both Australia and New Zealand. ... Read more →