Collection PL

Australia 1877 — Bradbury, Wilkinson & Company Portrait of Woman Intaglio Vignette Proof (Printer’s Library Master)

This intaglio vignette proof represents an original portrait engraving produced by Bradbury, Wilkinson & Company in London in 1877, prepared as a master design element within the firm’s internal plate library. It depicts a classical female figure engraved as a stand-alone vignette, intended for later integration into complete banknote layouts commissioned by private banks across the British Empire, including Australian colonial institutions. In the Bradbury Wilkinson production workflow of the late nineteenth century, portrait vignettes were engraved independently of any specific banknote. ... Read more →

Uruguay 1867 — Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado Issued Note, Handwritten Right-Side Signature, Serial 55818 (Pick S385a)

Issued banknote of the Banco Oriental of Uruguay, dated 1 de Agosto de 1867 and printed by the American Bank Note Company in New York. This issue represents the foundational appearance of the Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado denomination and establishes the complete visual, symbolic, and technical template later reused for subsequent reauthorizations in the early 1870s. The obverse design follows the classic American Bank Note Company international style of the mid-nineteenth century. ... Read more →

Uruguay 1867 — Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado Issued Note, Dual Handwritten Signatures at Left and Right, Serial 23286 (Pick S385a)

Issued banknote of the Banco Oriental of Uruguay, dated 1 de Agosto de 1867 and printed by the American Bank Note Company in New York. Although produced from the same engraved plates as the standard single-signature issue, this example documents a brief and highly unusual authorization phase in which two handwritten circulation signatures were applied to a single note. The obverse design is identical to the standard 1867 Banco Oriental issue, featuring allegorical female figures representing Commerce and Abundance at left, the national coat of arms at right, and a prominent central orange guilloche bearing the inscription “UN DOBLÓN DE ORO SELLADO.” This inscription emphasized gold convertibility and was central to public confidence in privately issued paper money during Uruguay’s mid-nineteenth-century monetary development. ... Read more →

Uruguay 1867 — Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado Issued Note, Centered Handwritten Signature, Serial 35345 (Pick S385a)

Issued banknote of the Banco Oriental of Uruguay, dated 1 de Agosto de 1867 and printed by the American Bank Note Company in New York. Produced from the same engraved plates as the standard single-signature issue, this example documents a transitional authorization state following the brief dual-signature requirement implemented during the initial circulation period. The obverse design remains unchanged from the core 1867 issue, featuring allegorical female figures representing Commerce and Abundance at left, the national coat of arms at right, and a prominent central orange guilloche bearing the inscription “UN DOBLÓN DE ORO SELLADO.” The design emphasizes gold convertibility and reflects American Bank Note Company engraving standards developed for Latin American monetary contracts of the mid-nineteenth century. ... Read more →

Uruguay 1867 — Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado Issued Note, Facsimile Signature at Right, Serial 74487 (Pick S385a)

Issued banknote of the Banco Oriental of Uruguay, dated 1 de Agosto de 1867 and printed by the American Bank Note Company in New York. This example represents the final standardized production state of the Banco Oriental 10 Pesos = 1 Doblón de Oro Sellado issue, marking the full transition from manual authorization to mechanically reproduced signatures. The obverse design remains consistent with all 1867 Banco Oriental Doblón notes, featuring allegorical female figures representing Commerce and Abundance at left, the national coat of arms at right, and a prominent central orange guilloche bearing the inscription “UN DOBLÓN DE ORO SELLADO.” This visual continuity underscores the reuse of the original engraved plates throughout all authorization phases of the issue. ... Read more →

Uruguay 1871 — Banco de Londres y Rio de la Plata 10 Pesos Face Proof (Pick S239p)

This face proof represents the obverse-only proof state of the 10 Pesos issue prepared for the Banco de Londres y Rio de la Plata in 1871. It was pulled directly from the finished face plate during the engraving and plate-approval process, prior to the preparation of reverse plates, serial numbering, or the assembly of complete circulating banknotes. As such, it documents the earliest finalized stage of design approval rather than a variant of an issued note. ... Read more →

United States 1838 — Olney, Alabama 25 Cents, 50 Cents, 1 Dollar Uncut Sheet Remainder

This uncut sheet represents a remainder issue of fractional and small denomination notes associated with Olney, Alabama, dated 1838. Comprising three vertically arranged designs of twenty five cents, fifty cents, and one dollar, the sheet was never placed into circulation and survives as a production remnant rather than an issued monetary instrument. With only remainders and a small number of falsely completed examples known, the original issuing authority of the Olney notes remains uncertain, and may not have existed as a formal banking institution. ... Read more →

Italy 1869 — Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire Portrait Vignette (Bradbury Wilkinson and Company)

This engraved portrait vignette was produced by Bradbury Wilkinson and Company as a direct design component for the 1869 Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire issue. It is not a generic engraving but the exact portrait element incorporated into the final banknote, forming part of the original production chain of the note itself. Vignettes of this type were engraved separately within the security printing workflow, allowing master engravers to refine portrait structure, shading, and line depth before integration into the full note layout. ... Read more →