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Confederate States of America 1864 100 Dollars T-65 CR-121 Pink Underprint Richmond PMG 63 EPQ Choice Uncirculated.

Confederate States of America 1864 – 100 Dollars Pink Underprint Richmond (T-65 CR-121)

The one-hundred-dollar note of the February 17, 1864 Confederate issue, cataloged as T-65 (Criswell 121), was the highest denomination of the Confederacy’s final paper-money series. Printed by Keatinge & Ball in Columbia, South Carolina, this design became one of the most recognizable icons of Confederate finance during the final year of the Civil War. Read more →

Confederate States of AmericaTreasury Note1864100 DollarsPMG 63 EPQ Choice Uncirculated Confederate Treasury NoteTreasury NoteCivil War CurrencyPink Underprint100 DollarsKeatinge & BallRichmond VirginiaT-65CR-121Plate DSerial 447511Confederate monetary systemWartime emergency currencyHistoryConfederate States of America1864PMG 63 EPQChoice UncirculatedMuseum Grade
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Confederate States of America 1864 10 Dollars T-68 PF-3 CR-541 First Series Roman Letters Richmond PCGS 62 Uncirculated with pink underprint.

Confederate States of America 1864 – 10 Dollars First Series in Roman Letters Richmond (T-68 PF-3 CR-541)

The central vignette depicts Confederate artillery and cavalry maneuvering on the battlefield, adapted from an original steel engraving used before the war. At lower right appears the portrait of R.M.T. Hunter, Confederate Senator and Secretary of State. The decorative panel on the left displays the word TEN in vertical Roman letters, identifying this as the First Series in Roman Letters variety.

Paraguay 1856 2 Reales Tesoro Nacional Treasury Note, earliest national paper money of Paraguay, signed by Matias Reina and Santiago Ozcariz, Pick Unlisted and attributed as Miguel Pratt MC14.

Paraguay 1856 - Tesoro Nacional 2 Reales Treasury Note, Earliest National Paper Money (Pick Unlisted, Miguel Pratt MC14)

The signatures of Matias Reina and Santiago Ozcariz place this note firmly within the earliest Treasury operation. Their handwritten authority, together with the individually entered serial details, gives the piece the character of a manually controlled government obligation rather than a standardized later issue. The compact setting of the phrase al portador, the open character of the lettering, the uneven impression, and the broad handwritten style separate this first-issue note from the later 1862 to 1865 wartime restrikes and re-lithographed types.

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