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Results for “underprint”
Australia Federal Bank of Australia Limited one pound Sydney specimen printed by Bradbury Wilkinson, annotated 1882, PMG 64 Choice Uncirculated

Australia 1879–1903 - Federal Bank of Australia, Limited £1 Sydney Specimen (Pick Unlisted)

This note is a true specimen, not intended for circulation, and was produced as part of Bradbury, Wilkinson’s export engraving program for colonial banks. The design reflects late Victorian security printing conventions: a balanced bilateral layout with allegorical female vignettes, dense blue underprinting, and wide margins characteristic of British-engraved export notes. At left, a young woman holding a lamb symbolizes prosperity and trust; at right, a classical female figure represents authority and stability. Together these figures formed a visual reassurance to depositors and merchants in Sydney and other colonial financial centers. Read more →

AustraliaSpecimen18791 PoundPMG 64 Choice Uncirculated (Annotated, Top Population) Specimen Banknote1 PoundPrinter SpecimenAnnotated SpecimenExport Engraved NoteLarge Format BanknoteBradbury WilkinsonBWCBritish Security PrintingVictorian Era EngravingPrivate Banknote ProductionFederal Bank of Australia LimitedAustralian Private BanksPre Federation AustraliaSydney Banking HistoryVictorian Banking Crisis1893 Banking CollapseAustraliaSydney187919031879–1903Pick UnlistedTop PopMuseum GradeR9 Extremely RareUniqueAnnotationsHandwritten Annotations
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Commercial Banking Company of Sydney LIMITED £5 proof, circa 1905–1910, PMG 63 EPQ

Australia 1905–1910 - Commercial Banking Company of Sydney LIMITED £5 Specimen Proof (Pick Unlisted)

The note’s design captures the late-Edwardian peak of Bradbury, Wilkinson craftsmanship: elaborate guilloché, multicolour underprint, and symbolic vignettes including a cherub with a ram’s head representing commerce and abundance. Its heavy perforations and broad margins identify it as a proof rather than a circulation specimen, created to demonstrate design and engraving quality before full production. Read more →

AustraliaSpecimen Proof19055 PoundsPMG 63 EPQ (Top Pop) Specimen5 PoundsSpecimen ProofProofPick UnlistedCommercial Banking Company of Sydney LimitedBradbury WilkinsonBWCLarge SizePre-FederationColonial SpecimenEngraved Security PrintingAustralian Private BanknotesSydney Banking HistorySecurity Printing HistoryEdwardian DesignBritish Engraving InfluenceTransition to Commonwealth CurrencyEarly 20th Century BankingAustralian Monetary HistoryAustraliaSydney190519101905–1910PMG 63 EPQTop PopMuseum GradeR8 Extremely Rare
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New Zealand 1924–1925 Bank of New Zealand 10 Shillings Front Proof Pick S231p1 with SPECIMEN perforation, Bradbury Wilkinson & Co.

New Zealand 1924–1925 - Bank of New Zealand 10 Shillings Front Proof with SPECIMEN Perforation (Pick S231p1)

The note features a finely engraved portrait of the Māori rangatira Tamati Waka Nene (1780–1871), leader of Ngāpuhi and an early ally of British settlement-one of the first indigenous statesmen ever depicted on a Commonwealth banknote. Surrounding the portrait are complex guilloché patterns and a two-tone lilac-and-ochre tint underprint demonstrating the peak of Bradbury Wilkinson’s late-Edwardian plate craftsmanship. Read more →

New ZealandFront Proof192410 ShillingsPMG 63 Choice Uncirculated (Top Pop, Front Proof with SPECIMEN Perforation) Front Proof10 ShillingsSpecimen PerforationIntaglioBradbury WilkinsonBWCTamati Waka NeneBank of New ZealandNew Zealand Banking HistoryPre-Reserve BankPrivate Banknote EraInterwar Currency DesignEngraved Security PrintingLate Edwardian PlateworkTint-Stone UnderprintMāori Portrait SeriesNew Zealand192419251924–1925PMG 63Top PopMuseum GradeR8 Extremely Rare
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Libya 1971 Central Bank of Libya 10 Dinars color trial specimen with Omar al-Mukhtar portrait, pre-issue intaglio color calibration, specimen overprint, PMG 64 choice uncirculated

Libya 1971 - Central Bank of Libya 10 Dinars Color Trial Specimen (Omar al-Mukhtar Portrait, Pick 37cts)

In this trial, particular attention was given to the interaction between the deeply engraved intaglio portrait and the multitone underprint. Omar al-Mukhtar’s likeness is rendered with dense cross-hatching and fine facial modeling, requiring precise balance between key plate pressure and background ink load to prevent tonal collapse or loss of detail at speed. Flesh tones, background hues, and ornamental fields were evaluated together to ensure legibility, contrast, and visual authority across the full note. Read more →

LibyaColor Trial Specimen197110 DinarsPMG 64 Choice Uncirculated (Top Population) Color TrialProduction ProofPre-Issue Print StageSingle Punch HolePunch CancelledIntaglio Color CalibrationSpecimen Of No ValueControl SerialOmar al-MukhtarPost Monarchy Currency ReformLibyan Arab RepublicRevolutionary Era IconographyCentral Bank Of LibyaLibya19711971–1972Pick 37ctsPick 37Top PopMuseum GradeR9 Extremely RareUnique
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Libya 1971 Central Bank of Libya 10 Dinars specimen with Omar al Mukhtar portrait, red specimen overprint, zero serial controls, final approved design state, PMG 58 EPQ

Libya 1971 - Central Bank of Libya 10 Dinars Specimen (Omar al-Mukhtar Portrait, Pick 37s)

This specimen captures the precise point at which the engraving, underprint palette, and security architecture were formally locked for production. The portrait of Omar al-Mukhtar-engraved with deep-bite intaglio and dense cross-hatching-is fully integrated with the surrounding guilloche network and multitone background fields. Unlike earlier color trials or vignette proofs, no experimental elements remain; all visual and technical decisions have been finalized. Read more →

LibyaSpecimen197110 DinarsPMG 58 Choice About Uncirculated Exceptional Paper Quality (Top Population) Specimen BanknoteFinal Plate ApprovalPre Issue DistributionZero Serial ControlSpecimen OverprintOmar al MukhtarAnti Colonial IconographyPost Monarchy Currency ReformLibyan Arab RepublicCentral Bank of LibyaLibya19711971–1972Pick 37sPick 37Exceptional Paper QualityTop PopMuseum GradeR9 Extremely RareUnique
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Libya 1971 Central Bank of Libya 10 Dinars issued note Pick 37a without Arabic inscription, Omar al Mukhtar portrait, PMG 65 EPQ

Libya 1971 - Central Bank of Libya 10 Dinars Issued Note (Pick 37a, Without Arabic Inscription)

From a production standpoint, Pick 37a establishes the baseline issued configuration of the 10 Dinars note. The intaglio key plate, portrait relief, underprint geometry, and watermark usage correspond exactly to the final design approved for circulation. This allows later modifications to be studied in isolation, without the complication of concurrent re-engraving or security restructuring. Read more →

LibyaIssued Note197110 DinarsPMG 65 Gem Uncirculated Exceptional Paper Quality Issued BanknoteEarly Circulation VarietyWithout Arabic InscriptionBaseline Issued DesignOmar al MukhtarPost Monarchy Currency ReformLibyan Arab RepublicCentral Bank of LibyaLibya1971Pick 37aPick 37Exceptional Paper QualityMuseum Grade
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Libya 1972 Central Bank of Libya 10 Dinars issued note Pick 37b with Arabic inscription, Omar al Mukhtar portrait, PMG 65 EPQ

Libya 1972 - Central Bank of Libya 10 Dinars Issued Note (Pick 37b, With Arabic Inscription)

The addition of the inscription reflects administrative consolidation rather than a redesign of the note’s security or artistic elements. The portrait die of Omar al-Mukhtar, the guilloche framework, underprint palette, and watermark usage remain unchanged, confirming that the inscription was applied as a typographic layer without disturbing the intaglio engraving. Read more →

LibyaIssued Note197210 DinarsPMG 65 Gem Uncirculated Exceptional Paper Quality Issued BanknoteFinalized Circulation VarietyWith Arabic InscriptionRegulatory StandardizationOmar al MukhtarPost Monarchy Currency ReformLibyan Arab RepublicCentral Bank of LibyaLibya1972Pick 37bPick 37Exceptional Paper QualityMuseum Grade
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Portugal 50 Mil Réis Specimen, ND (1917), Pick 110s, PMG 35

Portugal 1917 - Banco de Portugal 50 Mil Réis Specimen (Pick 110s)

Specimen of the Banco de Portugal 50 Mil Réis, the grandest denomination of the First Republic’s intricate 1916–1919 issue. Printed by Bradbury, Wilkinson & Co., London, without serials or signatures and perforated SPECIMEN, it reveals the full design before numbering and underprint were applied. PMG 35 Choice Very Fine. Read more →

PortugalSpecimen191750 Mil RéisPMG 35 Choice Very Fine Portugal First RepublicPick 110sPick 110ND 1917High DenominationPortugal1917
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Portugal 50 Mil Réis front progressive proof, ND (1917), Pick 110pp1, PMG 25 EPQ

Portugal 1917 - Banco de Portugal 50 Mil Réis Front Progressive Proof (Pick 110pp1)

Front progressive proof for the Banco de Portugal 50 Mil Réis, printed in a single intaglio color to test composition and line fidelity before the final multi-color stones were prepared. Without underprint or overprint, it exposes the engraver’s hand-the bare guilloche network and portrait cartouche that later defined the completed note. PMG 25 EPQ Very Fine. Read more →

PortugalProgressive Proof191750 Mil RéisPMG 25 EPQ Very Fine Portugal First RepublicPick 110pp1ND 1917Pick 110Portugal1917
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Italy ND (1868) Banco di Napoli Fede di Credito specimen, ICG 60 AU/UNC

Italy 1868 - Banco di Napoli Fede di Credito 50–200 Lire Specimen (Pick Unlisted)

This engraved specimen shows an uncompleted form with blank lines, large margins, and latent denominations of both 50 and 200 Lire-an unusual dual-value feature that suggests it was designed as a multi-purpose certificate. The imprint of 'Cassa Spirito Santo' ties it to one of the banco’s historic chapels-turned-branches in Naples. Its crisp green underprint, neat guilloché frame, and watermark space show Bradbury Wilkinson’s export style adapted to Italian requirements. Read more →

ItalySpecimen186850–200 LireICG 60 AU/UNC Pick-UnlistedBradbury WilkinsonBWCSpecimenItalian KingdomBanco di Napoli50 lire200 lireItaly1868
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Italy 1869 Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire specimen serial number 0001 printed by Bradbury Wilkinson and Company PMG 63 Top Pop

Italy 1869 - Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire Specimen (Pick Unlisted)

The design reflects the highest level of nineteenth century security engraving, with dense guilloche frameworks, a central portrait medallion, and a refined blue underprint panel integrated into the main composition. Bradbury Wilkinson’s involvement places this piece within the early expansion of British security printing influence into continental European financial systems, particularly in transitional economies seeking both credibility and technical sophistication. Read more →

ItalySpecimen186930 LirePMG 63 Choice Uncirculated Top Pop Serial Number 0001 SpecimenAgricultural Credit NoteCredito AgricoloCassa di Risparmio in BolognaPrivate Banking InstrumentControlled Credit IssueOdd Denomination30 LireBradbury Wilkinson and CompanySecurity PrintingGuilloche EngravingBlue UnderprintPortrait MedallionIssuance PanelItalian Banking HistoryPost Unification ItalyNineteenth Century FinanceAgricultural Credit SystemHistoryItaly1869Pick UnlistedPMG 63Top PopUniqueR9 Extremely RareMuseum Grade
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Australia ca.1939 Commercial Banking Company of Sydney LIMITED £5 Travellers Cheque photographic proof, PCGS 63

Australia 1939 - Commercial Banking Company of Sydney LIMITED £5 Travellers Cheque Photographic Proof (Pick Unlisted)

Produced during the late interwar period when secure portable payment instruments were vital for travel within the British Empire, this proof reflects the evolution of Australian financial printing in collaboration with Bradbury Wilkinson & Co., London. The fine typographic composition, deep guilloche background, and continuous ‘BRADBURY WILKINSON AND COMPANY LIMITED’ underprint confirm its master plate origin. Read more →

AustraliaPhotographic Proof19395 PoundsPCGS 63 Choice New (Mounted on Cardstock) Pick UnlistedPhotographic Proof5 PoundsTravellers ChequeTravelers CheckCommercial Bank of SydneySydneyCommercial Banking Company of Sydney LIMITEDCommercial Bank of SydneyBradbury WilkinsonBWCPre-War1939Australia
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