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New Zealand 1913 Bank of New Zealand £5 Orange multi-serial approval specimen Pick S192ms with serials 286901 and 296900, Bradbury Wilkinson & Co., PMG 63 Choice Uncirculated

New Zealand 1913 - Bank of New Zealand £5 Orange Multi-Serial Approval Specimen (Pick S192ms)

The design retains the canonical BNZ Victorian layout: Māori portrait figures at left, a coastal vignette symbolizing New Zealand’s maritime economy, and dense guilloche frameworks engraved to Bradbury Wilkinson’s late-19th-century standard. By 1913, however, the orange duty tint had been deepened and the geometry subtly regularized, reflecting the broader transition from ornate Victorian engraving toward the more disciplined Edwardian and early WWI-era printing style. Read more →

New ZealandSpecimen19135 PoundsPMG 63 Choice Uncirculated (Top Pop) SpecimenApproval Specimen5 PoundsOrangeBNZ Color LineageMulti-Serial ApprovalBradbury WilkinsonBWCPick S192msBank of New ZealandPrivate Banknote EraPre-Reserve BankNew Zealand Banking HistoryWWI-Era ProductionVictorian-Edwardian TransitionMāori Portrait SeriesMaritime Economy NotesSecurity Printing HistoryOceania NumismaticsNew Zealand1913PMG 63Museum GradeR8 Extremely Rare
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New Zealand 1895–1908 Bank of New Zealand 10 Pounds Brown specimen with dual serial numbers 097476 and 102475, perforated SPECIMEN, Bradbury Wilkinson printing, PMG 63 Choice Uncirculated

New Zealand 1895–1908 - Bank of New Zealand £10 Brown Specimen with Serial Number Prefix (Pick S193bs)

Engraved and printed in London between 1895 and 1908 by Bradbury, Wilkinson & Company, Limited, the note reflects mature late-Victorian engraving practice. The obverse composition features paired Māori figures, a maritime vignette, and a structured brown duty-tint guilloche frame associated with upper-denomination issues. The brown coloration forms part of the Bank of New Zealand’s chromatic system, positioned alongside the one pound green and five pounds orange within the BNZ color lineage. Read more →

New ZealandSpecimen with Serial Number Prefix189510 PoundsPMG 63 Choice Uncirculated Specimen10 PoundsBrownBNZ Color LineageSerial Prefix Specimen097476102475Perforated SPECIMENBradbury WilkinsonBWCPick S193bsBank of New ZealandPrivate Banknote EraPre-Reserve BankNew Zealand Banking HistoryMāori Portrait SeriesVictorian Edwardian TransitionSecurity Printing HistoryOceania NumismaticsHistoryNew Zealand189519081895-1908PMG 63Choice UncirculatedMuseum GradeR8 Extremely Rare
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New Zealand 1895–1915 Bank of New Zealand 5 Pounds Orange Specimen Pick S192s with dual serial numbers A000001 and A020000, perforated CANCELLED marking, left audit margin, and dated top margin printer annotations, printed by Bradbury Wilkinson & Company, Limited, London, PMG 55 About Uncirculated.

New Zealand 1895–1915 - Bank of New Zealand £5 Orange Specimen (Pick S192s)

The high-denomination anchor of the Bank of New Zealand color series, this five pounds orange specimen (Pick S192s) represents one of the most structurally complex and production-informative notes of New Zealand’s private banking era. Printed by Bradbury, Wilkinson & Company, Limited, London, it embodies the transition from richly ornamental Victorian engraving toward the more controlled and symmetrical Edwardian framework that followed. The composition preserves the defining elements of the earlier series-paired Māori figures within oval medallions at left, a lower maritime vignette reflecting colonial trade identity, and a dense guilloche lattice enclosing the denomination-while introducing a more disciplined spatial hierarchy across the central obligation panel.

Edwardian Design Victorian to Edwardian Transition
New Zealand 1916–1920 Bank of New Zealand £5 Red-Rose wartime specimen from the BNZ orange lineage, Pick S227s, serial prefix 7/180001–7/220000, PMG 65 EPQ Top Pop

New Zealand 1916–1920 - Bank of New Zealand £5 Red-Rose (Orange Lineage) Specimen with Serial Number Prefix (Pick S227s)

Within the BNZ color lineage, the £5 denomination occupies the warm-tone tier established by the pre-war £5 Orange issues of 1895–1915. Wartime pigment constraints and paper rationing produced a tonal shift toward red-rose or salmon while preserving the same functional position within the denomination hierarchy. This note documents the wartime evolution of that established £5 color lineage, not a separate color class.

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