Collection PL

Australia 1877 — Bradbury, Wilkinson & Company Portrait of Woman Intaglio Vignette Proof (Printer’s Library Master)

This intaglio vignette proof represents an original portrait engraving produced by Bradbury, Wilkinson & Company in London in 1877, prepared as a master design element within the firm’s internal plate library. It depicts a classical female figure engraved as a stand-alone vignette, intended for later integration into complete banknote layouts commissioned by private banks across the British Empire, including Australian colonial institutions. In the Bradbury Wilkinson production workflow of the late nineteenth century, portrait vignettes were engraved independently of any specific banknote. ... Read more →

Libya 1971 — Central Bank of Libya Omar al-Mukhtar Intaglio Vignette Proof (Portrait Master for 10 Dinars Issue)

This intaglio vignette proof represents the master engraved portrait of Omar al-Mukhtar prepared for the Central Bank of Libya’s post-monarchy currency redesign introduced in 1971. The vignette constitutes a standalone production artifact, engraved independently of any completed banknote and intended for transfer into the face plate of the new 10 Dinars issue following final approval. In modern banknote production, vignette proofs occupy a foundational position within the engraving workflow. ... Read more →

Libya 1971 — Central Bank of Libya 10 Dinars Specimen (Omar al-Mukhtar Portrait, Pick 37s)

This specimen represents the official pre-issue specimen of the Central Bank of Libya 10 Dinars note introduced in 1971, the first high-denomination issue of the Libyan Arab Republic following the abolition of the monarchy. Bearing the red SPECIMEN overprint and zero control serials, the note documents the final approved design state immediately before full circulation printing commenced. Specimen banknotes occupy a distinct position within the currency production and distribution process. ... Read more →

Italy 1871 — Standing Italia Vignette Die Proof (PS976)

Engraved vignette die proof of 'Standing Italia,' later integrated into the 250 Lire specimen of the Banca Italo-Germanica (1871–72, PS976). The allegory, modeled on classical prototypes, depicts Italia standing with shield and spear, emblematic of the country’s newly achieved unification and Rome’s designation as capital in 1871. Pulled directly from the master plate by Bradbury, Wilkinson & Co., this die proof captures the engraving in its purest state—sharp, uninked margins, and untouched by printing wear. ... Read more →

Italy 1871 — Germania with Shield and Spear, Vignette Die Proof (Used for 500 Lire, PS977)

This engraved vignette proof depicting 'Germania with Shield and Spear' was produced by Bradbury, Wilkinson & Co. in London for the Banca Italo-Germanica during the early 1870s. The impression preserves the complete ornamental vignette prepared for the proposed 500 Lire banknote design, including the decorative frame and denomination tablet engraved for integration into the final banknote layout. ... Read more →

Macau 1937 — Foo Hang Bank 10 Patacas Archival Printer Proof Compound Sheet (Pick S105)

An archival printer proof compound sheet prepared for the Foo Hang Bank of Macau in 1937 for the 10 patacas denomination associated with Pick S105. This pre-issue proof material survives as a single intact sheet and represents internal security-printing output created for reference, approval, and archival control rather than public circulation. Foo Hang Bank operated in Macau during a period when the territory functioned as a distinct monetary and commercial enclave within southern China. ... Read more →

Italy 1869 — Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire Portrait Vignette (Bradbury Wilkinson and Company)

This engraved portrait vignette was produced by Bradbury Wilkinson and Company as a direct design component for the 1869 Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire issue. It is not a generic engraving but the exact portrait element incorporated into the final banknote, forming part of the original production chain of the note itself. Vignettes of this type were engraved separately within the security printing workflow, allowing master engravers to refine portrait structure, shading, and line depth before integration into the full note layout. ... Read more →