Collection PL

About 1994.pl
Results for “guilloche”
New Zealand 1967 1 Dollar issued note with Fleming signature, serial IB563273, Pick 163a, graded PMG 67 EPQ Superb Gem Uncirculated, top population example.

New Zealand 1967 - 1 Dollar Fleming Signature Issued Note Serial IB563273 (Pick 163a)

Printed by Thomas De La Rue & Company, London, the note reflects the firm’s mid-twentieth-century mastery of intaglio engraving and guilloche design. The obverse features Queen Elizabeth II in a formal portrait composition, while the watermark of Captain James Cook reinforces the historical continuity between New Zealand’s colonial past and its modern national identity. The one-dollar denomination replaced the ten-shilling note, becoming the foundation of everyday transactional currency within the new decimal framework. Read more →

New ZealandIssued Note19671 DollarPMG 67 EPQ Superb Gem Uncirculated Issued Note1 DollarQueen Elizabeth II portraitCaptain James Cook watermarkDecimal currency noteOriginal issueSerial number noteThomas De La RueTDLRFleming SignatureRoderick Ninian FlemingStandard circulation productionDecimal SeriesReserve Bank of New ZealandFirst decimal issueNew Zealand currency reformHistoryNew Zealand196719681967-1968IB563273Pick 163aPMG 67 EPQSuperb Gem UncirculatedTop PopMuseum Grade
Held
New Zealand 1977 1 Dollar Hardie Signature issued note Pick 163d serial K26161311 PMG 64 Choice Uncirculated

New Zealand 1977 - 1 Dollar Hardie Signature Issued Note Serial K26161311 (Pick 163d)

Printed by Thomas De La Rue & Company, London, the note reflects the firm’s established expertise in intaglio engraving and guilloche design, with consistent execution across the later decimal issues. The obverse features Queen Elizabeth II in formal engraved portrait form, while the Captain James Cook watermark remains embedded within the paper, maintaining continuity with the original 1967 decimal introduction. Read more →

New ZealandIssued Note19771 DollarPMG 64 Choice Uncirculated Issued Note1 DollarQueen Elizabeth II portraitCaptain James Cook watermarkThomas De La RueTDLRHardie SignatureH.R. HardieDecimal SeriesReserve Bank of New ZealandLate decimal periodNew Zealand currency reformHistoryNew Zealand197719811977-1981K26161311Pick 163dPMG 64Choice UncirculatedMuseum Grade
Held
New Zealand 1981 1 Dollar issued note H.R. Hardie signature revised Queen Elizabeth II portrait serial AAA000662 Pick 169a PMG 67 EPQ Superb Gem Uncirculated.

New Zealand 1981 - 1 Dollar H.R. Hardie Signature Issued Note Serial AAA000662 (Pick 169a)

Printed by Bradbury, Wilkinson & Company, Limited, this issue marks a transition in production away from the earlier Thomas De La Rue printings. The engraving reflects the refined late-period banknote style, with intricate guilloche patterns and balanced color layering characteristic of Bradbury, Wilkinson & Company’s output during the early 1980s. Read more →

New ZealandIssued Note19811 DollarPMG 67 EPQ Superb Gem Uncirculated Issued Note1 DollarQueen Elizabeth II portrait revisedCaptain James Cook watermarkDecimal currency noteOriginal issueSerial number noteBradbury WilkinsonBWCHardie SignatureH.R. HardieRevised Hardie signature typeStandard circulation productionDecimal SeriesReserve Bank of New ZealandSecond design typeNew Zealand currency evolutionHistoryNew Zealand198119851981-1985AAA000662Pick 169aPMG 67 EPQSuperb Gem UncirculatedTop PopMuseum Grade
Held
Luxembourg 1966 20 Francs issued note Pick 54a Grand Duke Jean PMG 66 EPQ Gem Uncirculated

Luxembourg 1966 - 20 Francs Issued Note (Pick 54a)

The obverse features Grand Duke Jean in formal military attire, engraved in deep intaglio with controlled line density and consistent ink distribution. The portrait is anchored within a structured guilloche framework that balances ornamental complexity with mechanical clarity, ensuring reliable machine processing while preserving a distinctly national visual identity. Subtle color layering and a clearly defined watermark field further reinforce both security and compositional symmetry. Read more →

LuxembourgIssued Note196620 FrancsPMG 66 EPQ Gem Uncirculated Issued Note20 FrancsPick 54aGrand Duke JeanIntaglio engravingGuilloche security patternWatermark portraitDe La Rue printingLuxembourg monetary systemBelgian Luxembourg Economic UnionBanknote production processHistoryLuxembourg1966Pick 54aPMG 66 EPQGem UncirculatedMuseum Grade
Held
Luxembourg 1966 20 Francs specimen Pick 54s with horizontal SPECIMEN overprint and two punch holes PMG 64 Choice Uncirculated

Luxembourg 1966 - 20 Francs Specimen (Pick 54s)

The obverse presents Grand Duke Jean in formal military attire, engraved in precise intaglio with finely controlled line density and consistent ink distribution. The portrait is set within a complex guilloche structure designed to maintain both visual authority and mechanical clarity, reflecting the balance between national identity and functional currency requirements during the period. The multitone background and watermark field are fully developed, matching the issued format in all structural aspects. Read more →

LuxembourgSpecimen196620 FrancsPMG 64 Choice Uncirculated Specimen20 FrancsPick 54sGrand Duke JeanIntaglio engravingGuilloche security patternWatermark portraitDe La Rue printingHorizontal SPECIMEN overprintTwo Punch HolesA000000Luxembourg monetary systemBelgian Luxembourg Economic UnionBanknote production processHistoryLuxembourg1966Pick 54sPick 54aPMG 64Choice UncirculatedMuseum Grade
Held
Luxembourg 1966 20 Francs color trial specimen Pick 54cts with SPECIMEN overprint and punch holes PMG 66 EPQ Gem Uncirculated

Luxembourg 1966 - 20 Francs Color Trial Specimen (Pick 54cts)

The obverse displays Grand Duke Jean in formal military attire, rendered in finely controlled intaglio and surrounded by complex multicolor guilloche structures. Unlike the issued format, this trial emphasizes a more experimental palette, allowing printers to evaluate contrast between portrait, denomination, and background security elements under varying lighting and handling conditions. The interplay of color layers demonstrates how visual hierarchy was refined before standardization. Read more →

LuxembourgColor Trial Specimen196620 FrancsPMG 66 EPQ Gem Uncirculated Color Trial Specimen20 FrancsPick 54ctsGrand Duke JeanIntaglio engravingGuilloche security patternExperimental colorColor evaluationDe La Rue printingSPECIMEN overprintPunch holesA000000Luxembourg monetary systemBelgian Luxembourg Economic UnionBanknote production processHistoryLuxembourg1966Pick 54ctsPick 54aPMG 66 EPQGem UncirculatedMuseum Grade
Held
Luxembourg 1982 20 Francs specimen Pick 54As with multicolor design, horizontal SPECIMEN overprint and single punch hole, PMG 67 EPQ Superb Gem Uncirculated

Luxembourg 1982 - 20 Francs Specimen Unissued Series (Pick 54As)

At first glance, the note presents a color palette closely aligned with the experimental tones seen in the 1966 development phase. However, this is not a continuation of that production stage but a later, independent execution of the same visual direction. The multicolor guilloche framework, violet-dominant tonal layering, and structured portrait integration demonstrate that the earlier design language was retained and refined rather than reused directly. Read more →

LuxembourgSpecimen198220 FrancsPMG 67 Exceptional Paper Quality Superb Gem Uncirculated Specimen20 FrancsPick 54AsGrand Duke JeanIntaglio engravingGuilloche security patternMulticolor designSingle Punch HoleHorizontal SPECIMEN overprintA000000 099Bradbury Wilkinson and CompanyBradbury WilkinsonBWCLuxembourg monetary systemUnissued 1982 seriesBelgian Luxembourg Economic UnionContingency issueHistoryLuxembourg1982Pick 54AsPick 54aPMG 67 EPQSuperb Gem UncirculatedTop PopMuseum Grade
Held
Luxembourg 29 July 1965 20 Francs face photographic proof serial A000000 showing early abandoned design concept with softer portrait and unrefined layout, mounted on cardstock

Luxembourg 29 July 1965 - 20 Francs Face Photographic Proof Early Design Concept (Pick Unlisted)

Typography and denomination layout further confirm the preliminary nature of this design. The central "VINGT FRANCS" device appears heavier and less harmonized with the ornamental framework, while the surrounding guilloche elements remain comparatively loose and less mechanically structured. The overall composition reflects an exploratory phase in which visual hierarchy, spacing, and integration of textual and portrait elements were still being actively evaluated. Read more →

LuxembourgPhotographic Proof (Face)196520 FrancsPCGS 63 Apparent Choice New (Mounted on Cardstock) Photographic ProofFace Proof20 FrancsA000000Dual Serial FormatMounted on CardstockHandwritten Date 29 July 1965Grand Duke JeanEarly portrait styleUnrefined layoutLoose guilloche structurePre-final typographyAbandoned design conceptDesign replacement stagePre-1970 seriesBanknote design developmentHistoryLuxembourg1965Pick UnlistedPCGS 63Choice NewMuseum Grade
Held
Luxembourg 29 July 1965 20 Francs back photographic proof showing early abandoned reverse design with river boat and tree-lined bank, mounted on cardstock

Luxembourg 29 July 1965 - 20 Francs Back Photographic Proof Early Design Concept (Pick Unlisted)

Unlike the finalized reverse design-featuring the more complex valley, dam, and engineered river control structures associated with the issued Pick 54-this early concept emphasizes a pastoral scene with minimal architectural intervention. The absence of tightly integrated guilloche framing and reduced ornamental precision indicate that the reverse design had not yet reached its final technical configuration. Read more →

LuxembourgPhotographic Proof (Back)196520 FrancsPCGS 63 Apparent Choice New (Mounted on Cardstock) Photographic ProofBack Proof20 FrancsMounted on CardstockHandwritten Date 29 July 1965Early reverse designBoat vignetteRiver landscapeAlternative compositionPre-final reverse layoutAbandoned design conceptDesign replacement stagePre-1970 seriesBanknote design developmentHistoryLuxembourg1965Pick UnlistedPCGS 63Choice NewMuseum Grade
Held
Luxembourg August 1965 20 Francs back photographic proof showing transitional reverse design with river valley and early refinement of final composition, mounted on cardstock

Luxembourg August 1965 - 20 Francs Back Photographic Proof Transitional Design Stage (Pick Unlisted)

Despite the adoption of the final design concept, refinement remains ongoing. The tonal balance, structural integration of the vignette, and relationship between central imagery and surrounding ornamental framework have not yet reached the precision observed in later proofs. The composition appears less tightly resolved, with a softer integration of guilloche elements and slightly less defined hierarchy between foreground and background components. Read more →

LuxembourgPhotographic Proof (Back)196520 FrancsPCGS 63 Apparent Choice New (Mounted on Cardstock) Photographic ProofBack Proof20 FrancsMounted on CardstockFinal reverse conceptPost-concept redesignRiver valley designWater control structureDeveloping compositionTransitional design stageReverse stabilized earlyPre-final refinementBanknote design developmentHistoryLuxembourg1965Pick UnlistedPCGS 63Choice NewMuseum Grade
Held
Luxembourg 24 November 1965 20 Francs face photographic proof serial A000000 showing finalized layout with correct proportions prior to final signature configuration, mounted on cardstock

Luxembourg 24 November 1965 - 20 Francs Face Photographic Proof Final Layout Stage (Pick Unlisted)

Typography and denomination structure are fully stabilized, with "VINGT FRANCS" integrated harmoniously within the surrounding guilloche architecture. The spatial organization reflects a completed design system, optimized for both visual clarity and mechanical processing requirements. Read more →

LuxembourgPhotographic Proof (Face)196520 FrancsPCGS 64 Apparent Choice New (Mounted on Cardstock) Photographic ProofFace Proof20 FrancsA000000Dual Serial FormatMounted on CardstockHandwritten Date 24 November 1965Grand Duke JeanFinal portrait proportionsResolved layoutFinalized typographyBalanced compositionFinal layout stagePre-production validationPre-issuance configurationBanknote design developmentHistoryLuxembourg1965Pick UnlistedPCGS 64Choice NewMuseum Grade
Held
Luxembourg 24 November 1965 20 Francs back photographic proof showing finalized Pick 54 reverse design with river valley and water control structures, mounted on cardstock

Luxembourg 24 November 1965 - 20 Francs Back Photographic Proof Final Layout Stage (Pick 54)

Compared to the earlier July photographic proof, which featured an entirely different boat-based landscape concept, this example reflects the completed redesign of the reverse. The August transitional proofs introduced this new direction, but by November the composition has reached full precision, with refined tonal balance and complete integration of guilloche elements. Read more →

LuxembourgPhotographic Proof (Back)196520 FrancsPCGS 64 Apparent Very Choice New (Mounted on Cardstock) Photographic ProofBack Proof20 FrancsMounted on CardstockHandwritten Date 24 November 1965Final reverse designRiver valley compositionWater control structuresResolved layoutIntegrated guillocheFinal layout stagePre-production validationPick 54 alignmentBanknote design developmentHistoryLuxembourg1965Pick 54PCGS 64Very Choice NewMuseum Grade
Held
↑ Top