Collection PL

New Zealand 1895–1908 — Bank of New Zealand 10 Pounds Brown Specimen with Serial Number Prefix (Pick S193bs)

A high-denomination specimen from the Bank of New Zealand color lineage, the ten pounds brown (Pick S193bs) represents the serial-prefix approval format bearing dual printed control numbers, 097476 at upper left and 102475 at lower right. These serial-prefix specimens were produced for internal audit, plate approval, and archival reference purposes, distinct from zero-serial specimen impressions. Engraved and printed in London between 1895 and 1908 by Bradbury, Wilkinson & Company, Limited, the note reflects mature late-Victorian engraving practice. ... Read more →

New Zealand 1870–1890 — Bank of New Zealand £1 Green Specimen (Pick S191s)

The first Bank of New Zealand specimen and the foundation of the country’s pre-Reserve Bank note lineage. Engraved and printed by Bradbury, Wilkinson & Company, Limited, London, this one pound green specimen (Pick S191s) established the visual architecture reused throughout all later BNZ issues: paired Māori figures at left, an engraved coastal vignette below, and an ornate duty-tint panel framing the ONE POUND denomination. This design became the structural and visual origin of the Bank of New Zealand color lineage that defined New Zealand’s early commercial-bank currency. ... Read more →

New Zealand 1895–1915 — Bank of New Zealand 5 Pounds Orange Specimen (Pick S192s)

The high-denomination anchor of the Bank of New Zealand color series, this five pounds orange specimen (Pick S192s) represents one of the most structurally complex and production-informative notes of New Zealand’s private banking era. Printed by Bradbury, Wilkinson & Company, Limited, London, it embodies the transition from richly ornamental Victorian engraving toward the more controlled and symmetrical Edwardian framework that followed. The composition preserves the defining elements of the earlier series—paired Māori figures within oval medallions at left, a lower maritime vignette reflecting colonial trade identity, and a dense guilloche lattice enclosing the denomination—while introducing a more disciplined spatial hierarchy across the central obligation panel. ... Read more →