Collection PL

Banque Internationale à Luxembourg 1951 — 100 Francs Multi-Stage Photographic Proof Assembly (Pick Unlisted)

This photographic proof assembly of the one hundred francs note of Banque Internationale à Luxembourg S.A. represents a rare and highly informative record of sequential banknote design development. Rather than a single uniform proof, the mounted composition combines multiple design states within one archival piece, documenting the progression from early layout study to near-final engraved configuration several years prior to the issued 1956 note. ... Read more →

Banque Internationale à Luxembourg 1956 — 100 Francs Photographic Proof Face (Pick Unlisted)

Photographic proof of the face of the one hundred francs note of Banque Internationale à Luxembourg S.A., representing the finalized obverse design stage prior to full production printing. Executed in monochrome, this proof preserves the complete engraved face layout with all principal visual and administrative elements already in place. The composition centers on a classical female allegorical portrait enclosed within a laurel-framed oval, surrounded by finely engraved guilloche structures and flanked by symbolic figures representing labor, production, and national economic strength. ... Read more →

Banque Internationale à Luxembourg 1956 — 100 Francs Photographic Proof Back (Pick Unlisted)

Photographic proof of the reverse of the one hundred francs note of Banque Internationale à Luxembourg S.A., representing the finalized back design stage prior to full circulation printing. Produced in monochrome, this proof preserves the reverse layout in a production-ready state, including both compositional structure and serial placement logic. The reverse is dominated by a structured industrial tableau featuring workers, machinery, and architectural elements arranged in a balanced engraved composition. ... Read more →

Banque Internationale à Luxembourg 1956 — 100 Francs Issued Note (Pick 13a)

Issued one hundred francs note of Banque Internationale à Luxembourg S.A., dated 1956 and cataloged as Pick 13a. This note represents the final realized form of the series, following a clearly traceable development sequence documented by the 1951 multi-stage design proofs and the later 1956 photographic proof material. The obverse presents a fully resolved engraved composition centered on a classical female allegorical portrait enclosed within a laurel-framed oval. ... Read more →