Collection PL

Japan 1989 — Komori Currency Technology Intaglio Test Note “Mr. Komori”

Large-format intaglio test piece produced by Komori Currency Technology on genuine banknote paper. The face presents a finely engraved portrait of Mr. Komori alongside dense Asiatic floral scrolls and security guilloché intended to demonstrate line fidelity, tonal build, and plate pressure control. ... Read more →

El Salvador 1996 — 25 Colones Face Die Proof (Pick 149p)

Large-format face die proof prepared by De La Rue in 1996 for the forthcoming 25 Colones issue later released 1997–1999 (SCWPM Pick 149 and subsequent variant Pick 155). The engraving depicts the Pirámide de San Andrés archaeological complex—an emblem of national heritage—rendered in tight intaglio with wide proof margins and a blank reverse. Functionally, die proofs are the printer’s finalized master impressions taken directly from the face die to verify line integrity, color separation, and registration before plate duplication and production. ... Read more →

El Salvador 1997 — 25 Colones Issued Note (Pick 149a)

First circulation issue of the 'Pirámide de San Andrés' 25 Colones design, dated 10 de Abril de 1997, printed by De La Rue for El Banco Central de Reserva de El Salvador. This note inaugurated El Salvador’s final banknote generation prior to dollarization (2001), combining modern color engraving with refined microsecurity. The face shows the archaeological pyramid and national emblem, while the reverse features agricultural motifs referencing national productivity and export economy. ... Read more →

El Salvador 1997 — 25 Colones Specimen (Pick 149as)

Official specimen of the 1997 25 Colones issue printed by De La Rue, catalogued as Pick 149as. Features red diagonal SPECIMEN overprint, oval control stamps, and circular perforation cancels. Specimens like this were distributed to issuing authorities, printers, and security archives for reference. ... Read more →

El Salvador 1998 — 25 Colones Issued Note (Pick 149b)

Issued note dated 1998 continuing the 'Pirámide de San Andrés' 25 Colones design, printed by De La Rue for El Banco Central de Reserva. This second variety (Pick 149b) retains the same engraving as the 1997 issue but introduces updated official signatures and minor tint adjustments. These mid-series notes were part of El Salvador’s last paper-money production cycle before the transition to the U.S. ... Read more →

El Salvador 1999 — 25 Colones Issued Note (Pick 155)

Final circulating issue of El Salvador’s 25 Colones, dated 1999, marking the end of the national currency before dollarization in 2001. Printed by De La Rue on enhanced security paper featuring an embedded metallic thread, latent image devices, and complex guilloché. The design continues the 'Pirámide de San Andrés' motif with subtle updates: a deeper lower border hue, refined microtext, and newly engraved official signatures. ... Read more →

El Salvador 1999 — 25 Colones Specimen (Pick 155s)

Specimen note of the 1999 25 Colones issue, catalogued as Pick 155s. Printed by De La Rue with diagonal red SPECIMEN overprint, perforation cancels, and control stamps. This specimen represents the terminal proof stage of the 25 Colones before the introduction of the U.S. ... Read more →

New Zealand 1934 — Reserve Bank of New Zealand 10 Shillings Photographic Face Proof (Pick 154p)

This photographic face proof preserves the engraved design prepared for the first 10 Shillings banknote issued by the Reserve Bank of New Zealand following the creation of the central bank under the Reserve Bank Act of 1933. The proof represents the pre-press stage of the denomination, recording the completed engraving before the design was transferred to printing plates for circulation production. The note belongs to the inaugural Reserve Bank series commonly known as the "Lefeaux series", named for Leslie Lefeaux, the institution’s first Governor. ... Read more →

New Zealand 1934 — Reserve Bank of New Zealand 10 Shillings Issued Note (Pick 154)

The 10 Shillings banknote issued on 1 August 1934 forms part of the first national paper money series produced for the Reserve Bank of New Zealand after its establishment under the Reserve Bank Act of 1933. The creation of the Reserve Bank replaced the fragmented system of private trading bank notes with a unified national currency, marking a major milestone in the country’s monetary history. This inaugural series is widely known as the "Lefeaux series", named after Leslie Lefeaux, the first Governor of the Reserve Bank whose printed signature appears on the notes. ... Read more →

Poland 1940 — 10 Złotych Contemporary Counterfeit with WERTLOS Stamp (Pick 94x)

Striking example of a 1940 Poland 10 Złotych contemporary counterfeit, catalogued as Pick 94x and certified PMG 55 About Uncirculated. Produced clandestinely during the German occupation, this note replicates the official Bank Emisyjny design but lacks serial numbers and issue letters — clear hallmarks of underground production. A bold purple 'WERTLOS' (worthless) overprint was applied across the face, likely as an official or resistance-era cancellation after discovery. ... Read more →

United States 1948 — Republican National Convention Ticket (Philadelphia, E.A. Wright Bank Note Co.)

Engraved admission ticket for the 1948 Republican National Convention, held June 21–25 at Philadelphia’s Convention Hall. Produced by the E.A. Wright Bank Note Company, a leading Philadelphia security printer, this ticket fuses political spectacle with the visual language of currency. ... Read more →

Poland 1940 — 10 Złotych Bank Emisyjny Series F Giesecke & Devrient (Pick 94a)

The 10 Złotych of 1 March 1940 was the first note issued by Bank Emisyjny w Polsce, the German-controlled central bank established in the General Government after the September 1939 invasion. Designed and printed by Giesecke & Devrient in Leipzig, it replaced pre-war Bank Polski currency and became the everyday money of occupied Poland. Obverse: allegorical female figures of Industry and Agriculture within neoclassical ornament; crowned female head at left — a faint echo of national dignity amid occupation imagery. ... Read more →