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Italy 1869 Bradbury Wilkinson engraved portrait vignette used directly in the Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire banknote design

Italy 1869 - Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire Portrait Vignette (Bradbury Wilkinson and Company)

This engraved portrait vignette was produced by Bradbury Wilkinson and Company as a direct design component for the 1869 Credito Agricolo della Cassa di Risparmio in Bologna 30 Lire issue. It is not a generic engraving but the exact portrait element incorporated into the final banknote, forming part of the original production chain of the note itself. Read more →

ItalyVignette1869Not ApplicablePMG Certified VignettePortrait VignetteEngraving ProofIntaglio EngravingBradbury Wilkinson and CompanySecurity PrintingDesign ElementBanknote ProductionCredito AgricoloCassa di Risparmio in Bologna30 Lire30 Lire IssueCompanion PieceLinked ArtifactItalian Banking HistoryPost Unification ItalyNineteenth Century FinanceHistoryItaly1869Pick UnlistedR8 Extremely RareMuseum Grade
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Brazil circa 1963 prefix test proof Estampa 3a Serie 000a

Brazil 1963 - Tesouro Nacional, Prefix Test Proof “Estampa 3ª Série 000a”

Printer’s serial and prefix trial sheet bearing three bold red impressions reading 'ESTAMPA 3ª SÉRIE 000a'. Produced as an undated archival test without denomination, vignette, or design. Such prefix tests allowed press operators to calibrate numbering wheels and ink density before full production of Tesouro Nacional banknotes. Read more →

BrazilPrefix Test Proof1963-PCGS 64 (Very Choice New) Prefix TestSerial TrialNDArchivalBrazil1963
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Luxembourg 1982 1000 Francs specimen serial A000000 094 with red diagonal SPECIMEN overprint and two punch holes, Pick 52bs, PMG 67 EPQ Superb Gem Uncirculated

Luxembourg 1982 - 1000 Francs Specimen Grand Duchess Charlotte (Pick 52bs)

Printed by Bradbury, Wilkinson & Company, Limited, the note reflects the final phase of traditional European intaglio banknote production. The portrait of Grand Duchess Charlotte is executed in finely layered engraving, surrounded by dense guilloche structures and balanced ornamental framing. The composition is both technically functional and visually authoritative, designed for high-denomination clarity under both manual inspection and machine-assisted verification systems. Read more →

LuxembourgSpecimen19821000 FrancsPMG 67 EPQ Superb Gem Uncirculated Specimen1000 FrancsRed SPECIMEN overprintDiagonal SPECIMENTwo Punch HolesPunch CancelledA000000 094Specimen Serial FormatGrand Duchess CharlotteLuxembourg banknote designIntaglio engravingGuilloche security patternBradbury WilkinsonBWCLuxembourg monetary systemBelgian Luxembourg Economic UnionUnissued contingency issueHistoryLuxembourg1982Pick 52bsPick 52bPMG 67 EPQSuperb Gem UncirculatedTop PopMuseum Grade
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Luxembourg 1970 100 Francs calibration specimen serial D170001 with blue registration gridlines and handwritten printer annotation, Pick 56s

Luxembourg 1970 - 100 Francs Archival Gridlines Calibration Specimen Serial D170001 (Pick 56s)

The design features Grand Duke Jean in formal portrait, integrated within a structured guilloche framework characteristic of De La Rue’s late twentieth-century banknote production. The layout reflects increasing emphasis on machine-readable consistency, symmetry, and controlled spacing required for automated processing environments. Read more →

LuxembourgSpecimen1970100 FrancsPMG 65 EPQ Gem Uncirculated Specimen100 FrancsD170001Live SerialCalibration SheetGridlinesRegistration GridPrinter AnnotationHandwritten AnnotationGrand Duke JeanLuxembourg banknote designGuilloche security patternProduction calibrationPre-production controlThomas De La RueDe La RueTDLRLuxembourg monetary systemBelgian Luxembourg Economic UnionProduction workflowHistoryLuxembourg1970Pick 56sPick 56aPMG 65 EPQGem UncirculatedMuseum GradeAnnotationsHandwritten Annotations
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Luxembourg 1970 100 Francs color trial specimen serial A000000 33 with diagonal red SPECIMEN overprint and two punch holes, Pick 56cts, PMG 58 EPQ Choice About Uncirculated

Luxembourg 1970 - 100 Francs Color Trial Specimen (Pick 56cts)

The obverse presents Grand Duke Jean in finely executed intaglio portraiture, integrated with layered guilloche structures and a large watermark field at right. Even in trial form, the design demonstrates the precision, depth, and structural balance characteristic of late twentieth-century European banknote production. Read more →

LuxembourgColor Trial Specimen1970100 FrancsPMG 58 EPQ Choice About Uncirculated SpecimenColor Trial SpecimenColor TrialAlternative ColorBlue Color TrialDiagonal SPECIMEN overprintRed SPECIMENTwo Punch HolesPunch CancelledA000000 33Specimen Serial Format100 FrancsGrand Duke Jean portraitLuxembourg banknote designWatermark portraitIntaglio engravingSecurity printing featuresLuxembourg Belgium monetary unionEuropean currency systemBanknote development processColor differentiation testingHistoryLuxembourg1970Pick 56ctsPick 56aPMG 58 EPQChoice About UncirculatedMuseum Grade
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Luxembourg 1970 100 Francs issued note serial A143655, Pick 56a, PMG 65 EPQ Gem Uncirculated

Luxembourg 1970 - 100 Francs Issued Note (Pick 56a)

The note embodies the mature stage of late twentieth-century European banknote production. The portrait of Grand Duke Jean is rendered in deep intaglio engraving, exhibiting sharp relief and controlled ink distribution, while the surrounding guilloche structures and offset underprint are precisely calibrated for both visual clarity and machine readability. The large watermark field at right integrates seamlessly into the layout, reinforcing both authentication and compositional balance. Read more →

LuxembourgIssued Note1970100 FrancsPMG 65 EPQ Gem Uncirculated Issued Note100 FrancsLuxembourg1970Pick 56aGrand Duke JeanIntaglio engravingGuilloche security patternWatermark portraitHigh cotton paperBelgian Luxembourg Economic UnionCirculating currencyFinal production stageBanknote executionHistoryLuxembourg1970Pick 56aPMG 65 EPQGem UncirculatedMuseum Grade
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Mauritius ND (1940) Government of Mauritius 1 Rupee uncut pair remainder, Pick 26r1 (remainder of Pick 26), PMG 55 EPQ Top Pop with crisp green and rose print and punch cancels

Mauritius 1940 - Government of Mauritius 1 Rupee Uncut Pair Remainder (Pick 26r1)

This uncut vertical pair of Government of Mauritius 1 Rupee remainder notes is printed on ND (1940) paper and cataloged as Pick 26r1, the remainder form of the Pick 26 issue. Preserved as two complete connected impressions, the piece retains their original vertical sheet relationship, the unprinted gutter between the notes, substantial outer margins, and a particularly broad blank sheet margin above the upper impression. The format records the physical arrangement of adjacent notes before the sheet was cut into individual banknotes. Read more →

MauritiusRemainder Proof19401 Rupee (Uncut Pair)PMG 55 EPQ About Uncirculated (Top Pop) MauritiusGovernment of MauritiusBritish MauritiusMauritius BanknoteMauritius CurrencyMauritius Paper MoneyColonial MauritiusBritish ColonyBritish Colonial CurrencyBritish Colonial BanknoteColonial BanknoteColonial CurrencyColonial Paper Money1 RupeeOne RupeeRupeeRe.11940NDND 1940Pick 26r1Pick 26RemainderRemainder NoteRemainder BanknoteUncut RemainderUncut PairUncut BanknotesUncut NotesUncut SheetUncut Sheet PairConnected PairVertical PairProduction MaterialPrinting MaterialBanknote ProductionSecurity PrintingProduction SheetSheet MarginSheet LayoutOriginal Sheet MarginUnsignedUnnumberedUnsigned RemainderUnnumbered RemainderPunch CancelledPunch CancellationCircular Punch CancelPunch CancelCancelled RemainderFour Punch CancelsGovernment IssueGovernment NoteCommissioners of CurrencyOffice of the Commissioners of CurrencyPort LouisMauritius Coat of ArmsCoat of ArmsMauritius ArmsDodoDodo BanknoteSambar DeerSambar Deer BanknoteHeraldryMauritian HeraldryKing George VIGeorge VIKing George VI BanknoteRoyal PortraitPortrait BanknoteSailing ShipPalm TreesKey and StarStella Clavisque Maris IndiciGreen and RoseGreen BanknoteRose UnderprintGuillocheGuilloche BanknoteSecurity DesignMultilingual BanknoteMultilingual CurrencyLondon PrintingColonial Contract PrintingTop PopPMG Top PopPMG 55 EPQPMG 55About UncirculatedEPQOriginal Paper Quality
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Poland 1940 500 Złotych Series B, unfinished print fragment with partial obverse and full reverse, PMG holdered

Poland 1940 - 500 Zlotych Series B Unfinished Print Fragment (Pick 98)

PMG encapsulated the piece under the descriptive designation "Printing Remnants" without assigning a numerical grade. Its importance lies in the production evidence retained within a single unfinished note: the established obverse underprint, the absence of the principal obverse design, a substantially developed reverse, the B 2048322 serial number and the original watermarked paper. Together, these features preserve several normally integrated elements of banknote manufacture in an unfinished state. Read more →

PolandPrinting Remnant1940500 ZłotychPMG Holdered (Descriptive, no numeric grade) Printing RemnantPrinting RemnantsUnfinished PrintIncomplete PrintUnfinished BanknoteProduction MaterialProduction StagePrinting ProcessBanknote ProductionPrinter's SheetPrinter's Sheet FragmentSheet FragmentProduction Sheet500 Zlotych500 Zlotych 1940Bank Emisyjny w PolsceEmission BankEmission Bank in PolandPolandPolish BanknotePolish CurrencyGerman OccupationGerman Occupied PolandGeneral GovernmentGeneralgouvernementWorld War IIWWIIWartime CurrencyOccupation Currency19401 March 1940Pick 98Milczak 98MilczakSeries BB 2048322B2048322Serial B 2048322Serial B2048322Serial NumberSerial Number AnomalyUnrecorded Serial NumberUnrecorded Serial Range20xxxxx Serial RangeSeries B Serial NumberSeries B 20xxxxxAborted ProductionInterrupted ProductionIncomplete ProductionProduction AnomalyUnderprintObverse UnderprintGreen UnderprintMissing Main DesignMissing Obverse DesignMissing PortraitIncomplete ObverseReverse DesignMorskie OkoTatra MountainsTatrasWatermarkMan's HeadMan's Head WatermarkHighlanderHighlander PortraitHighlander WatermarkGoralGoral PortraitGoral WatermarkPortrait WatermarkObverse PortraitWatermarked PaperPMGPMG Printing RemnantsDescriptive HolderNo Numeric GradeZlotyZlotych
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Uruguay 1862 Banco de Londres y Rio de la Plata 100 Pesos Pick S245r remainder, unissued and unsigned, engraved by Bradbury Wilkinson & Co., PMG 63 Choice Uncirculated

Uruguay 1862 - Banco de Londres y Rio de la Plata 100 Pesos Remainder (Pick S245r)

Few notes capture the working side of 19th-century banknote production like this 1862 100 Pesos remainder. Printed by Bradbury, Wilkinson & Co. for the Banco de Londres y Rio de la Plata but never signed or issued, it remains an untouched example of Uruguay’s first major British-engraved currency design. No cancellations, no serials-just the raw presswork as it left London more than 160 years ago. Read more →

UruguayRemainder1862100 PesosPMG 63 Choice Uncirculated Pick S245rPick S245RemainderBanco de Londres y Rio de la PlataBradbury WilkinsonBWCUruguay 19th Century100 PesosUruguay1862
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Uruguay 1939 Banco de la Republica Oriental del Uruguay 50 Pesos Serie C specimen, Specimen No. 9, Pick 38bs, with all-zero serial numbers, diagonal red SPECIMEN overprint, red oval printer control stamps, Indigenous warrior portrait, Jose Gervasio Artigas watermark, and ceremonial historical reverse, certified Paper Money Guaranty 65 Gem Uncirculated Exceptional Paper Quality

Uruguay 1939 - Banco de la Republica Oriental del Uruguay 50 Pesos Serie C Specimen, Specimen No. 9 (Pick 38bs)

The reverse presents a large ceremonial and historical composition framed by elaborate security ornament and denomination panels. The scene is rendered to the same finished production standard as the obverse, with carefully structured architecture, assembled figures, and layered engraved detail. Its narrative character provides a counterpoint to the monumental portrait on the face and gives the note a wider cultural and historical identity. Read more →

UruguaySpecimen with Red Overprint and Oval Printer Control Stamps193950 PesosPMG 65 EPQ Specimen50 PesosSerie CSpecimen No 9All Zero Serial NumbersRed SPECIMEN OverprintRed Oval Printer Control StampsTwo Sided Specimen CancellationIndigenous Warrior PortraitFeathered HeaddressJose Gervasio Artigas WatermarkCeremonial Historical ReverseBanco de la Republica Oriental del UruguayThomas De La Rue and Company LimitedIntaglio PrintingSecurity EngravingGuilloche DesignWatermarked PaperMulti Color Security PrintingPrinted Specimen ControlNumbered Institutional SpecimenLondon Security PrintingUruguay Monetary HistoryLaw of 2 January 1939Interwar Monetary SystemState Issued CurrencyInstitutional Reference NoteHigh Value Commercial CurrencySpecimen DistributionBanknote Production HistoryHistoryUruguay193950 PesosPick 38bsPick 38bPMG 65Gem UncirculatedExceptional Paper QualityR8 Extremely RareMuseum Grade
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Uruguay 1939 design authorized for Banco Central del Uruguay in 1967, 50 Pesos Serie D specimen, Specimen No. 2, Pick 42As, with all-zero serial numbers, diagonal red SPECIMEN overprint, red oval Thomas De La Rue printer control stamps, Indigenous warrior portrait, Jose Gervasio Artigas watermark, and historical assembly reverse, certified Paper Money Guaranty 66 Gem Uncirculated Exceptional Paper Quality

Uruguay 1939 (1967 Authorization) - Banco Central del Uruguay 50 Pesos Serie D Specimen, Specimen No. 2 (Pick 42As)

At right appears the denomination's monumental Indigenous warrior portrait, engraved with the sculptural precision associated with Thomas De La Rue and Company Limited. The figure wears an elaborate headdress and ornamental beadwork, while a ceremonial staff or weapon rises behind the shoulder. Closely controlled intaglio lines define the face, hair, headdress, clothing, and surrounding details, creating one of the most visually forceful portraits in Uruguay's twentieth-century banknote series. Read more →

UruguaySpecimen with Red Overprint and Oval Printer Control Stamps193950 PesosPaper Money Guaranty 66 Gem Uncirculated Exceptional Paper Quality Specimen50 PesosSerie DSpecimen No 2All Zero Serial NumbersRed SPECIMEN OverprintRed Oval Printer Control StampsTwo Sided Specimen CancellationIndigenous Warrior PortraitFeathered HeaddressJose Gervasio Artigas WatermarkHistorical Assembly ReverseBanco Central del UruguayBanco de la Republica Oriental del UruguayDepartamento de EmisionThomas De La Rue and Company LimitedIntaglio PrintingSecurity EngravingGuilloche DesignWatermarked PaperMulticolor Security PrintingPrinted Specimen ControlNumbered Institutional SpecimenLondon Security PrintingReused Banknote Plate DesignUruguay Monetary HistoryLaw of 2 January 19391967 Central Bank AuthorizationBanco Central del Uruguay ReissueCentral Bank TransitionInstitutional ContinuityInterwar Banknote DesignPostwar Monetary AdministrationState Issued CurrencyInstitutional Reference NoteBanknote Production HistoryHistoryUruguay1939196750 PesosPick 42AsPick 42APaper Money Guaranty 66Gem UncirculatedExceptional Paper QualityR8 Extremely RareMuseum Grade
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Photographic transparency essay showing the Maenad engraving prepared for the 1996 North Macedonia 5000 Denari banknote

North Macedonia 1996 - 5000 Denari Photographic Transparency Essay (Maenad Vignette)

This photographic transparency records the engraved Maenad vignette prepared during the design development of the Republic of Macedonia’s inaugural 5000 Denari banknote. Created within the pre-press workflow of Thomas De La Rue & Company Limited in London, the transparency preserves the original engraved image before the design progressed into plate production and full banknote printing. Read more →

North MacedoniaPhotographic Proof19965000 DenariPCGS 63 Choice New Photographic ProofEssayPhotographic TransparencyPre-Press ProofEngraving Stage ProofMaenadMaenad VignetteBanknote EngravingSecurity Printing ProcessDe La RueBanknote Production WorkflowPre-Press MaterialsBanknote Design DevelopmentNorth Macedonia19965000 DenariPCGS 63Choice NewMuseum Grade
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